Feigned Money: Cortázar and the Priceless Lyric of Consumption

The present study performs a thorough tour of the whole of Cortázar’s narrative work (novels and stories, not excluding some "micro-stories") to define the place and meaning that references to money and consumption have in this work. The reflection is triggered b...

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Autor principal: Mesa Gancedo, Daniel
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2015
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1533
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id I11-R112article-1533
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Cortázar
Dinero
Lírica
Consumo
Money
Lyric
Consumption
Cortázar
Money
Lyric
Consumption
spellingShingle Cortázar
Dinero
Lírica
Consumo
Money
Lyric
Consumption
Cortázar
Money
Lyric
Consumption
Mesa Gancedo, Daniel
Feigned Money: Cortázar and the Priceless Lyric of Consumption
topic_facet Cortázar
Dinero
Lírica
Consumo
Money
Lyric
Consumption
Cortázar
Money
Lyric
Consumption
author Mesa Gancedo, Daniel
author_facet Mesa Gancedo, Daniel
author_sort Mesa Gancedo, Daniel
title Feigned Money: Cortázar and the Priceless Lyric of Consumption
title_short Feigned Money: Cortázar and the Priceless Lyric of Consumption
title_full Feigned Money: Cortázar and the Priceless Lyric of Consumption
title_fullStr Feigned Money: Cortázar and the Priceless Lyric of Consumption
title_full_unstemmed Feigned Money: Cortázar and the Priceless Lyric of Consumption
title_sort feigned money: cortázar and the priceless lyric of consumption
description The present study performs a thorough tour of the whole of Cortázar’s narrative work (novels and stories, not excluding some "micro-stories") to define the place and meaning that references to money and consumption have in this work. The reflection is triggered by the discussion of a "sentence" issued in 1974 by Ricardo Piglia ("Cortázar doesn’t speak about money"). This paper tries to show that this alleged silence is not so total. The consequences of that categorical denial present an image of Cortázar’s work that suit, at least, to be reviewed. For that purpose it is also given attention to some Cortázar’s poems, closely related to his fictions, which put in evidence that the Argentine author made of the consumer society and its distortions a recurring subject of his writing.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2015
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1533
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