Playwriting irrigated by colletive creation’s processes in Tu veneno en mí, by Manuel García Migani
The method used by Manuel García Migani to create the play Tu veneno en mí proposes dramaturgy’s generation from collective processes, through two instances: the intellectual one, developed by the playwright-director, and physical one, performed by the actors. This method has left particular traces...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2021
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5547 |
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| Sumario: | The method used by Manuel García Migani to create the play Tu veneno en mí proposes dramaturgy’s generation from collective processes, through two instances: the intellectual one, developed by the playwright-director, and physical one, performed by the actors. This method has left particular traces in its textual framework: an intense polyphony, collage and text’s rhizomatic organization, while tensions between multiplicity and unity, organicity and inorganicity, are noticed as well. |
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