Playwriting irrigated by colletive creation’s processes in Tu veneno en mí, by Manuel García Migani

The method used by Manuel García Migani to create the play Tu veneno en mí proposes dramaturgy’s generation from collective processes, through two instances: the intellectual one, developed by the playwright-director, and physical one, performed by the actors. This method has left particular traces...

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Detalles Bibliográficos
Autor principal: Arcuri, Ana Cecilia
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2021
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5547
Aporte de:B de Universidad Nacional de Cuyo Ver origen
Descripción
Sumario:The method used by Manuel García Migani to create the play Tu veneno en mí proposes dramaturgy’s generation from collective processes, through two instances: the intellectual one, developed by the playwright-director, and physical one, performed by the actors. This method has left particular traces in its textual framework: an intense polyphony, collage and text’s rhizomatic organization, while tensions between multiplicity and unity, organicity and inorganicity, are noticed as well.