The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions

The dramatic works of Federico García Lorca Blood Wedding and Yerma, despite having been published in the 1930s of the last century, raise themes so current that we could say that the work of the author exhibits and seeks from fiction a deep social commitment. In its plots flashes emerge of a vindic...

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Autor principal: Aguilar, José Luis Fernando
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2019
Materias:
Federico García Lorca
Yerma
Bodas de sangre
feminismo
patriarcado
Blood Wedding
feminism
patriarchy
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2295
Aporte de:
Boletín GEC de Universidad Nacional de Cuyo
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-103
container_title_str Boletín GEC
language Español
format Artículo revista
topic Federico García Lorca
Yerma
Bodas de sangre
feminismo
patriarcado
Federico García Lorca
Yerma
Blood Wedding
feminism
patriarchy
spellingShingle Federico García Lorca
Yerma
Bodas de sangre
feminismo
patriarcado
Federico García Lorca
Yerma
Blood Wedding
feminism
patriarchy
Aguilar, José Luis Fernando
The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions
topic_facet Federico García Lorca
Yerma
Bodas de sangre
feminismo
patriarcado
Federico García Lorca
Yerma
Blood Wedding
feminism
patriarchy
author Aguilar, José Luis Fernando
author_facet Aguilar, José Luis Fernando
author_sort Aguilar, José Luis Fernando
title The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions
title_short The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions
title_full The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions
title_fullStr The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions
title_full_unstemmed The theatre of Federico García Lorca: glimmers of female liberation within patriarchal traditions
title_sort theatre of federico garcía lorca: glimmers of female liberation within patriarchal traditions
description The dramatic works of Federico García Lorca Blood Wedding and Yerma, despite having been published in the 1930s of the last century, raise themes so current that we could say that the work of the author exhibits and seeks from fiction a deep social commitment. In its plots flashes emerge of a vindication of women’s equality in a patriarchal system, that is still difficult to dismiss from thought systems and behavioral patterns. The Bride, Yerma and the Second Girl, each in their own way and concomitantly to their ideas and impulses, face a whole structure of institutions, habits and traditions whose objective is to claim dignity and their inalienable rights.
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2295
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