The social memory in Argentinian plays by the generation of 1960

This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to t...

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Autor principal: Tarantuviez, Susana
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2017
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-103
container_title_str Boletín GEC
language Español
format Artículo revista
topic teatro argentino contemporáneo
memoria colectiva
Roberto Cossa
Griselda Gambaro
Eduardo Pavlovsky
contemporary Argentinian theatre
social memory
Roberto Cossa
Griselda Gambaro
Eduardo Pavlovsky
spellingShingle teatro argentino contemporáneo
memoria colectiva
Roberto Cossa
Griselda Gambaro
Eduardo Pavlovsky
contemporary Argentinian theatre
social memory
Roberto Cossa
Griselda Gambaro
Eduardo Pavlovsky
Tarantuviez, Susana
The social memory in Argentinian plays by the generation of 1960
topic_facet teatro argentino contemporáneo
memoria colectiva
Roberto Cossa
Griselda Gambaro
Eduardo Pavlovsky
contemporary Argentinian theatre
social memory
Roberto Cossa
Griselda Gambaro
Eduardo Pavlovsky
author Tarantuviez, Susana
author_facet Tarantuviez, Susana
author_sort Tarantuviez, Susana
title The social memory in Argentinian plays by the generation of 1960
title_short The social memory in Argentinian plays by the generation of 1960
title_full The social memory in Argentinian plays by the generation of 1960
title_fullStr The social memory in Argentinian plays by the generation of 1960
title_full_unstemmed The social memory in Argentinian plays by the generation of 1960
title_sort social memory in argentinian plays by the generation of 1960
description This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to the so-called "Generation of the 60s". In my review of the texts, I emphasize the representation of crimes committed by the state repressive apparatus during the last dictatorship in Argentina (1976-1983), analyzing the construction of historical and social memory, in both "reflexive realism" and "absurdism", the two most important aesthetics of the Argentine theater during the second half of the twentieth century.
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2017
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135
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