The social memory in Argentinian plays by the generation of 1960

This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to t...

Descripción completa

Detalles Bibliográficos
Autor principal: Tarantuviez, Susana
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2017
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135
Aporte de:B de Universidad Nacional de Cuyo Ver origen
Descripción
Sumario:This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to the so-called "Generation of the 60s". In my review of the texts, I emphasize the representation of crimes committed by the state repressive apparatus during the last dictatorship in Argentina (1976-1983), analyzing the construction of historical and social memory, in both "reflexive realism" and "absurdism", the two most important aesthetics of the Argentine theater during the second half of the twentieth century.