Two precursor biennials, two forking paths

Posed within a degree seminar of this academic unit "”Mega-events of art. Contemporarycourses of a modern device"” and inscribed within the framework of a research project of its Secretary of Science and Technology "”Complex re-chainings between modern and contemporary artistic practi...

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Autores principales: Galella, Leandro, Giménez Hermida, Marcelo
Formato: Artículo revista
Lenguaje:Español
Publicado: Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2021
Materias:
Modernidad
Arte contemporáneo
Megaeventos
Latinoamérica
Modernity
Contemporary art
Mega-events
Latin America
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/4540
Aporte de:
CUADERNOS DE HISTORIA DEL ARTE de Universidad Nacional de Cuyo
id I11-R101article-4540
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-101
container_title_str CUADERNOS DE HISTORIA DEL ARTE
language Español
format Artículo revista
topic Modernidad
Arte contemporáneo
Megaeventos
Latinoamérica
Modernity
Contemporary art
Mega-events
Latin America
spellingShingle Modernidad
Arte contemporáneo
Megaeventos
Latinoamérica
Modernity
Contemporary art
Mega-events
Latin America
Galella, Leandro
Giménez Hermida, Marcelo
Two precursor biennials, two forking paths
topic_facet Modernidad
Arte contemporáneo
Megaeventos
Latinoamérica
Modernity
Contemporary art
Mega-events
Latin America
author Galella, Leandro
Giménez Hermida, Marcelo
author_facet Galella, Leandro
Giménez Hermida, Marcelo
author_sort Galella, Leandro
title Two precursor biennials, two forking paths
title_short Two precursor biennials, two forking paths
title_full Two precursor biennials, two forking paths
title_fullStr Two precursor biennials, two forking paths
title_full_unstemmed Two precursor biennials, two forking paths
title_sort two precursor biennials, two forking paths
description Posed within a degree seminar of this academic unit "”Mega-events of art. Contemporarycourses of a modern device"” and inscribed within the framework of a research project of its Secretary of Science and Technology "”Complex re-chainings between modern and contemporary artistic practices"”, this work proposes to compare the origins, motivations and trajectories of two international art exhibitions that are among the pioneers of this type of event: the BienalHispanoamericana de Arte and the Bienal de São Paulo. Born in 1951 only days apart, these are the earlier exhibitions of their kind after the appearance, more than fifty years ago, of the then very famous Venice Biennale. The panoramic review of both over approximately five years "”period that includes the meager existence of the first one"” allows us to make a series of points aimed at reflecting on the role that mega-events of art have had in a period of passage from the Modernity of art towards its contemporaneity, and in relation to a corpus that involves our region
publisher Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/4540
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AT gimenezhermidamarcelo twoprecursorbiennialstwoforkingpaths
AT galellaleandro dosbienalesprecursorasdossenderosquesebifurcan
AT gimenezhermidamarcelo dosbienalesprecursorasdossenderosquesebifurcan
first_indexed 2022-06-20T13:36:17Z
last_indexed 2022-06-20T13:36:17Z
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