Archives of history, archives of memory. Noemí Escandell’s graphic artwork

The aim is of this research is to reconstruct the poetic and political discourse of plastic artist Noemí Escandell (1942-2019) by analyzing the formats, use of photographic archives and narrative thickness of her works created by the end of the sixties in articulation with other visual formulations...

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Autor principal: Lucero, María Elena
Formato: Artículo revista
Lenguaje:Español
Publicado: Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2019
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2774
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id I11-R101article-2774
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-101
container_title_str CUADERNOS DE HISTORIA DEL ARTE
language Español
format Artículo revista
topic Archivos
Gráficos
Memoria
Montaje
archives
graphics
memory
montage
Arquivos
gráfica
memória
montagem
Archives
graphiques
mémoire
assemblage
ФАЙЛЫ
ГРАФИКИ
ПАМЯТЬ
СБОРКА
spellingShingle Archivos
Gráficos
Memoria
Montaje
archives
graphics
memory
montage
Arquivos
gráfica
memória
montagem
Archives
graphiques
mémoire
assemblage
ФАЙЛЫ
ГРАФИКИ
ПАМЯТЬ
СБОРКА
Lucero, María Elena
Archives of history, archives of memory. Noemí Escandell’s graphic artwork
topic_facet Archivos
Gráficos
Memoria
Montaje
archives
graphics
memory
montage
Arquivos
gráfica
memória
montagem
Archives
graphiques
mémoire
assemblage
ФАЙЛЫ
ГРАФИКИ
ПАМЯТЬ
СБОРКА
author Lucero, María Elena
author_facet Lucero, María Elena
author_sort Lucero, María Elena
title Archives of history, archives of memory. Noemí Escandell’s graphic artwork
title_short Archives of history, archives of memory. Noemí Escandell’s graphic artwork
title_full Archives of history, archives of memory. Noemí Escandell’s graphic artwork
title_fullStr Archives of history, archives of memory. Noemí Escandell’s graphic artwork
title_full_unstemmed Archives of history, archives of memory. Noemí Escandell’s graphic artwork
title_sort archives of history, archives of memory. noemí escandell’s graphic artwork
description The aim is of this research is to reconstruct the poetic and political discourse of plastic artist Noemí Escandell (1942-2019) by analyzing the formats, use of photographic archives and narrative thickness of her works created by the end of the sixties in articulation with other visual formulations of the nineties. In these productions, called handing works, the presence of montage as an aesthetic and comparative resource can be observed. Based on cultural, political and semantic repercussions, we will reflect on the visual devices generated in some of her works. For this purpose, links will be established with fundamental notions by Walter Benjamin and Peter Bürger on reproduction and montage, an avant-garde procedure later recovered in the neo-avant-gardes, as proposed by Hal Foster. Finally, the chained images resulting from the handing works will be reviewed in the light of Aby Warburg's studies, whose way of looking into documentary records and archives (whether or not included in the history of Western art) created a random approach in relation to traditional historiography.
publisher Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2774
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first_indexed 2022-06-20T13:36:08Z
last_indexed 2022-06-20T13:36:08Z
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