Angel Guido: fusion and circle
Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the qu...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
2018
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1458 |
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| Sumario: | Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the question of Latin American identity and self-definition. Latin American neo-baroque, unlike international postmodernism, is countermodern. |
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