Angel Guido: fusion and circle

Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the qu...

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Detalles Bibliográficos
Autor principal: Antelo, Raúl
Formato: Artículo revista
Lenguaje:Español
Publicado: Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2018
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1458
Aporte de:C de Universidad Nacional de Cuyo Ver origen
Descripción
Sumario:Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the question of Latin American identity and self-definition. Latin American neo-baroque, unlike international postmodernism, is countermodern.