Angel Guido: fusion and circle

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Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the qu...

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Autor principal: Antelo, Raúl
Formato: Artículo revista
Lenguaje:Español
Publicado: Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2018
Materias:
Barroco
Contramodernismo
Arquitectura
América Latina
Baroque
Countermodernism
Architecture
Latin America
Contra-modernismo
Arquitetura
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1458
Aporte de:
CUADERNOS DE HISTORIA DEL ARTE de Universidad Nacional de Cuyo
id I11-R101article-1458
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-101
container_title_str CUADERNOS DE HISTORIA DEL ARTE
language Español
format Artículo revista
topic Barroco
Contramodernismo
Arquitectura
América Latina
Baroque
Countermodernism
Architecture
Latin America
Contra-modernismo
Arquitetura
spellingShingle Barroco
Contramodernismo
Arquitectura
América Latina
Baroque
Countermodernism
Architecture
Latin America
Contra-modernismo
Arquitetura
Antelo, Raúl
Angel Guido: fusion and circle
topic_facet Barroco
Contramodernismo
Arquitectura
América Latina
Baroque
Countermodernism
Architecture
Latin America
Contra-modernismo
Arquitetura
author Antelo, Raúl
author_facet Antelo, Raúl
author_sort Antelo, Raúl
title Angel Guido: fusion and circle
title_short Angel Guido: fusion and circle
title_full Angel Guido: fusion and circle
title_fullStr Angel Guido: fusion and circle
title_full_unstemmed Angel Guido: fusion and circle
title_sort angel guido: fusion and circle
description Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the question of Latin American identity and self-definition. Latin American neo-baroque, unlike international postmodernism, is countermodern.
publisher Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
publishDate 2018
url https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1458
work_keys_str_mv AT anteloraul angelguidofusionandcircle
AT anteloraul angelguidolafusionelcirculo
AT anteloraul angelguidoafusaoocirculo
first_indexed 2022-06-20T13:35:49Z
last_indexed 2022-06-20T13:35:49Z
bdutipo_str Revistas
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