De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco
What is God is an issue that should be abandoned, claims Nancy, and in its stead it should be asked if there is still a place for the divine. What it should be thought is that rest of perhaps the most flagrant withdrawal of what we call the West: the withdrawal of the divine, which clears divine pla...
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| Formato: | Artículo revista |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2012
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/7936 |
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I10-R377-article-79362018-11-14T12:27:13Z De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco Milone, Gabriela sacred poetry thing Nancy Del barco sagrado poesía cosa Nancy del barco What is God is an issue that should be abandoned, claims Nancy, and in its stead it should be asked if there is still a place for the divine. What it should be thought is that rest of perhaps the most flagrant withdrawal of what we call the West: the withdrawal of the divine, which clears divine places of matter, ex-posed and opened to the intimacy of sense, of felling, this is, of touch. It’s about thinking that “absolute exceedance of sense of what, above all, the word ‘sacred’ was nothing more than a designation”. But how doing it? Nancy argues that if we gain access to sense is poetically; and that poetry is “touching the thing of the words”. What remains of that withdrawal and seeks (poetic) access to sense, is the matter where palpitates without beating the heart of things, the stone heart that passively waits to be thought in its ex-position. Thus, espera la piedra of Oscar del Barco, echoes that word which seeks to touch the exceedance of sense in the patient and passive heart of the stone that waits, of the stone that is seen as the naked place where perhaps was something divine. Qué es “Dios” es una cuestión que debería abandonarse, afirma Nancy; y en su lugar, preguntar si hay aún un sitio para lo divino. Lo que habría que pensar es ese resto de la retirada quizá más flagrante de lo que denominamos “Occidente”: la retirada de lo divino, la cual despeja lugares divinos de materia, ex-puestos y abiertos a la intimidad del sentido, del sentir, esto es, del tocar. Se trata de pensar esa “excedencia absoluta del sentido del que, ante todo, la palabra “sagrado” no fue más que una designación”. ¿Pero cómo hacerlo? Nancy sostiene que si accedemos al sentido, es poéticamente; y que la poesía es “tocar a la cosa de las palabras”. Lo que resta de esa retirada y busca un acceso (poético) al sentido, es la materia donde palpita sin latir el corazón de las cosas, el corazón de piedra que pasivamente espera ser pensado en su ex-posición. Así, espera la piedra de Oscar del Barco se hace eco de esa palabra que busca tocar la excedencia del sentido en el corazón paciente y pasivo de la piedra que espera, de la piedra que se vislumbra como el lugar desnudo donde acaso hubo algo divino. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2012-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/7936 10.53971/2718.658x.v3.n3.7936 Recial; Vol. 3 Núm. 3 (2012): Dossier: III Jornadas de Investigación de Área de Letras del CIFFyH 2718-658X 1853-4112 10.53971/2718.658x.v3.n3 spa https://revistas.unc.edu.ar/index.php/recial/article/view/7936/8802 https://revistas.unc.edu.ar/index.php/recial/article/view/7936/html Derechos de autor 2012 RECIAL | Revista del CIFFyH Área Letras |
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Universidad Nacional de Córdoba |
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I-10 |
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R-377 |
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Recial |
| language |
Español |
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Artículo revista |
| topic |
sacred poetry thing Nancy Del barco sagrado poesía cosa Nancy del barco |
| spellingShingle |
sacred poetry thing Nancy Del barco sagrado poesía cosa Nancy del barco Milone, Gabriela De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco |
| topic_facet |
sacred poetry thing Nancy Del barco sagrado poesía cosa Nancy del barco |
| author |
Milone, Gabriela |
| author_facet |
Milone, Gabriela |
| author_sort |
Milone, Gabriela |
| title |
De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco |
| title_short |
De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco |
| title_full |
De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco |
| title_fullStr |
De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco |
| title_full_unstemmed |
De dios a la piedra: una lectura de Espera la piedra de Oscar Del Barco |
| title_sort |
de dios a la piedra: una lectura de espera la piedra de oscar del barco |
| description |
What is God is an issue that should be abandoned, claims Nancy, and in its stead it should be asked if there is still a place for the divine. What it should be thought is that rest of perhaps the most flagrant withdrawal of what we call the West: the withdrawal of the divine, which clears divine places of matter, ex-posed and opened to the intimacy of sense, of felling, this is, of touch. It’s about thinking that “absolute exceedance of sense of what, above all, the word ‘sacred’ was nothing more than a designation”. But how doing it? Nancy argues that if we gain access to sense is poetically; and that poetry is “touching the thing of the words”. What remains of that withdrawal and seeks (poetic) access to sense, is the matter where palpitates without beating the heart of things, the stone heart that passively waits to be thought in its ex-position. Thus, espera la piedra of Oscar del Barco, echoes that word which seeks to touch the exceedance of sense in the patient and passive heart of the stone that waits, of the stone that is seen as the naked place where perhaps was something divine. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2012 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/7936 |
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