Gombrowicz y la irrelevancia de la forma
Gombrowicz enters the Argentine literary system in 1939 and is located on its banks when it is ordered around Sur gradually, the literary supplement of the Nation and what some critics like Martin Prieto designated the "empire malleísta". However, to leave the country in April 1963, the st...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2012
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/7931 |
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I10-R377-article-79312018-11-14T12:27:13Z Gombrowicz y la irrelevancia de la forma Cardozo, Cristian discursive practice social identity strategies production conditions management práctica discursiva identidad social estrategias condiciones de producción gestión Gombrowicz enters the Argentine literary system in 1939 and is located on its banks when it is ordered around Sur gradually, the literary supplement of the Nation and what some critics like Martin Prieto designated the "empire malleísta". However, to leave the country in April 1963, the stage of the local letters is different: not only the rule of Mallea is replaced in the mid-forties with a new model promoted by some writers write related to South but , facing the sixties, new agents that displace the magazine run by Victoria Ocampo and installed a theoretical discussion, aesthetic and political unknown in Argentina. Parallel to these re-positioning in the local system between the late thirties to mid-sixties, the course for which the path passes Witold Gombrowicz in our country it is during this period permanently marginalized local bodies consecration. In this sense, the present work is to examine from a practical conception of discourse as discursive strategies made by the author of Ferdydurke under a management process to the competence to redefine their "social identity" and be recognized and built by his peers to the network of relationships specific to the sixties begins to revolve around the names of Borges and Cortázar in Argentina and abroad. Gombrowicz ingresa en el sistema literario argentino en 1939 y se ubica en sus márgenes cuando el mismo se ordena paulatinamente alrededor de Sur, el suplemento literario de La Nación y lo que algunos críticos como Martín Prieto designan el “imperio malleísta”. No obstante, al abandonar el país en abril de 1963, el escenario de las letras locales es diferente: no sólo el imperio de Mallea es reemplazado a mediados de los años cuarenta por un nuevo modelo de escritura promovido por algunos escritores afines a Sur sino que, de cara a los años sesenta, aparecen nuevos agentes que desplazan a la revista dirigida por Victoria Ocampo e instalan un debate teórico, estético y político inédito en Argentina. De forma paralela a estos re-posicionamientos en el sistema local comprendido entre fines de los años treinta y mediados de años sesenta, el derrotero por el que transcurre la trayectoria de Witold Gombrowicz en nuestro país lo encuentra durante este período permanentemente marginado de las instancias locales de consagración. En este sentido, en el presente trabajo se propone examinar desde una concepción del discurso como práctica las estrategias discursivas realizadas por el autor de Ferdydurke en el marco de un proceso de gestión de la propia competencia para redefinir su “identidad social” y ser reconocido e incorporado por sus pares a esa trama de relaciones específicas que hacia la década del sesenta comienza a girar en torno a los nombres de Borges en Argentina y de Cortázar en el extranjero. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2012-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/7931 10.53971/2718.658x.v3.n3.7931 Recial; Vol. 3 Núm. 3 (2012): Dossier: III Jornadas de Investigación de Área de Letras del CIFFyH 2718-658X 1853-4112 10.53971/2718.658x.v3.n3 spa https://revistas.unc.edu.ar/index.php/recial/article/view/7931/8797 https://revistas.unc.edu.ar/index.php/recial/article/view/7931/html Derechos de autor 2012 RECIAL | Revista del CIFFyH Área Letras |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-377 |
| container_title_str |
Recial |
| language |
Español |
| format |
Artículo revista |
| topic |
discursive practice social identity strategies production conditions management práctica discursiva identidad social estrategias condiciones de producción gestión |
| spellingShingle |
discursive practice social identity strategies production conditions management práctica discursiva identidad social estrategias condiciones de producción gestión Cardozo, Cristian Gombrowicz y la irrelevancia de la forma |
| topic_facet |
discursive practice social identity strategies production conditions management práctica discursiva identidad social estrategias condiciones de producción gestión |
| author |
Cardozo, Cristian |
| author_facet |
Cardozo, Cristian |
| author_sort |
Cardozo, Cristian |
| title |
Gombrowicz y la irrelevancia de la forma |
| title_short |
Gombrowicz y la irrelevancia de la forma |
| title_full |
Gombrowicz y la irrelevancia de la forma |
| title_fullStr |
Gombrowicz y la irrelevancia de la forma |
| title_full_unstemmed |
Gombrowicz y la irrelevancia de la forma |
| title_sort |
gombrowicz y la irrelevancia de la forma |
| description |
Gombrowicz enters the Argentine literary system in 1939 and is located on its banks when it is ordered around Sur gradually, the literary supplement of the Nation and what some critics like Martin Prieto designated the "empire malleísta". However, to leave the country in April 1963, the stage of the local letters is different: not only the rule of Mallea is replaced in the mid-forties with a new model promoted by some writers write related to South but , facing the sixties, new agents that displace the magazine run by Victoria Ocampo and installed a theoretical discussion, aesthetic and political unknown in Argentina. Parallel to these re-positioning in the local system between the late thirties to mid-sixties, the course for which the path passes Witold Gombrowicz in our country it is during this period permanently marginalized local bodies consecration. In this sense, the present work is to examine from a practical conception of discourse as discursive strategies made by the author of Ferdydurke under a management process to the competence to redefine their "social identity" and be recognized and built by his peers to the network of relationships specific to the sixties begins to revolve around the names of Borges and Cortázar in Argentina and abroad. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2012 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/7931 |
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2024-09-03T23:08:37Z |
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