Fictions about the indigenous body: La Martina Chapanay

The paper herein stemmed from my attachment and approach to Warpe struggle by associating historical processes and non-fiction literature to investigations of contemporary, historical and patrimonial production and apprehension of the indigenous body. This investigation is about the figure called &q...

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Autor principal: Tello Bustos, Julieta
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2024
Materias:
fictions
indigenous body
Martina Chapanay
ficciones
cuerpo indígena
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/45633
Aporte de:
Recial de Universidad Nacional de Córdoba
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record_format ojs
spelling I10-R377-article-456332025-11-20T07:00:07Z Fictions about the indigenous body: La Martina Chapanay Ficciones sobre el cuerpo indígena: La Martina Chapanay Tello Bustos, Julieta fictions indigenous body Martina Chapanay ficciones cuerpo indígena Martina Chapanay The paper herein stemmed from my attachment and approach to Warpe struggle by associating historical processes and non-fiction literature to investigations of contemporary, historical and patrimonial production and apprehension of the indigenous body. This investigation is about the figure called "La Martina Chapanay''. For this purpose, my analysis especially takes into account the following texts of three different authors: La Chapanay (1884) written by Pedro Echagüe, Martina Chapanay. Realidad y mito (1962) written by Marcos Estrada and Martina Chapanay, montonera del Zonda (2000) written by Mabel Pagano. This selection not only responds to a cluster approach, due to the fact that it focuses on describing the indigenous body, but also, it responds to a discursive approach, since this analysis of narrative texts is done under biographic terms, focusing on the way that each fiction (re)writes, names, silences, humiliates and claims La Martina's body. Herein, I use he word fictions in a broad cultural sense that involves not only discursive but also ideological constructions (Arnés, 2016). In this regard, I notice in these texts that some particular historical clusters of alterity, otherness (Briones, 2005) work around the production of meanings about the Warpe body as a historical and collective subject.      Este artículo, que surge a partir de mi vínculo y acercamiento a la lucha warpe, vincula procesos históricos y ficciones literarias con las indagaciones por la producción y apropiación contemporánea, histórica y patrimonial del cuerpo indígena, en este caso, en la figura de la Martina Chapanay. Para ello me detengo en el análisis de los textos de tres autores en particular: La Chapanay (1884) de Pedro Echagüe, Martina Chapanay. Realidad y mito (1962) de Marcos Estrada y Martina Chapanay, montonera del Zonda (2000) de Mabel Pagano. Esta selección responde a un criterio temático que se focaliza en las formas de narrar el cuerpo indígena, y discursivo ya que se trata del análisis de textos narrativos en clave biográfica que focaliza en las formas en que cada ficción (re)escribe, nombra, silencia, humilla o reivindica el cuerpo de la Martina. Entiendo aquí el término ficciones en un sentido cultural amplio que agrupa construcciones no solo discursivas, sino también ideológicas (Arnés, 2016). En ese sentido, en estos textos advierto particulares formaciones históricas de alteridad, otredad (Briones, 2005) que operan en torno de la producción de sentidos sobre el cuerpo warpe como sujeto histórico y colectivo. Facultad de Filosofía y Humanidades 2024-07-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/45633 10.53971/2718.658x.v15.n25.45633 Recial; Vol. 15 Núm. 25 (2024): Dossier: Formas y problemas de la modernidad cultural en América Latina; 243-256 2718-658X 1853-4112 10.53971/2718.658x.v15.n25 spa https://revistas.unc.edu.ar/index.php/recial/article/view/45633/45720 https://revistas.unc.edu.ar/index.php/recial/article/view/45633/45728 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic fictions
indigenous body
Martina Chapanay
ficciones
cuerpo indígena
Martina Chapanay
spellingShingle fictions
indigenous body
Martina Chapanay
ficciones
cuerpo indígena
Martina Chapanay
Tello Bustos, Julieta
Fictions about the indigenous body: La Martina Chapanay
topic_facet fictions
indigenous body
Martina Chapanay
ficciones
cuerpo indígena
Martina Chapanay
author Tello Bustos, Julieta
author_facet Tello Bustos, Julieta
author_sort Tello Bustos, Julieta
title Fictions about the indigenous body: La Martina Chapanay
title_short Fictions about the indigenous body: La Martina Chapanay
title_full Fictions about the indigenous body: La Martina Chapanay
title_fullStr Fictions about the indigenous body: La Martina Chapanay
title_full_unstemmed Fictions about the indigenous body: La Martina Chapanay
title_sort fictions about the indigenous body: la martina chapanay
description The paper herein stemmed from my attachment and approach to Warpe struggle by associating historical processes and non-fiction literature to investigations of contemporary, historical and patrimonial production and apprehension of the indigenous body. This investigation is about the figure called "La Martina Chapanay''. For this purpose, my analysis especially takes into account the following texts of three different authors: La Chapanay (1884) written by Pedro Echagüe, Martina Chapanay. Realidad y mito (1962) written by Marcos Estrada and Martina Chapanay, montonera del Zonda (2000) written by Mabel Pagano. This selection not only responds to a cluster approach, due to the fact that it focuses on describing the indigenous body, but also, it responds to a discursive approach, since this analysis of narrative texts is done under biographic terms, focusing on the way that each fiction (re)writes, names, silences, humiliates and claims La Martina's body. Herein, I use he word fictions in a broad cultural sense that involves not only discursive but also ideological constructions (Arnés, 2016). In this regard, I notice in these texts that some particular historical clusters of alterity, otherness (Briones, 2005) work around the production of meanings about the Warpe body as a historical and collective subject.     
publisher Facultad de Filosofía y Humanidades
publishDate 2024
url https://revistas.unc.edu.ar/index.php/recial/article/view/45633
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first_indexed 2024-09-03T23:09:17Z
last_indexed 2025-11-27T05:26:34Z
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