Intermediality and Immersion: A Reading of Robertita

The objective of the following work is to elaborate a reading of Robertita's Roommates based on the concepts of intermediality and immersion. This operation will allow us to question, for the present, the centrality of the medial specification hypothesis typical of formalism. In the first place...

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Autor principal: Mosquera, Mariano Ernesto
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2024
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/45632
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spelling I10-R377-article-456322024-11-19T23:19:20Z Intermediality and Immersion: A Reading of Robertita Intermedialidad e inmersión: Una lectura de Robertita Mosquera, Mariano Ernesto intermediality immersion Robertita roommates remediation intermedialidad inmersión Robertita Roommates remediación The objective of the following work is to elaborate a reading of Robertita's Roommates based on the concepts of intermediality and immersion. This operation will allow us to question, for the present, the centrality of the medial specification hypothesis typical of formalism. In the first place, we will examine the intermedial references to analyze the operations in which the novel performs a figuration of the subjective effect of the new information technologies. Secondly, beginning with the intermedial character of the work (text, image, music), we will argue that this mixture in the structure of the work seeks to produce a remediation of the language of cinema, introducing a particular immersion, of a temporary and emotional nature. Finally, a call is made to elaborate new theoretical-critical vocabularies to respond to the singularity of these artistic events. We propose the figure of the intermedial critic to refer to that critic who, without losing his philological or discourse analysis training, delves into new languages ​​and knowledges. El objetivo del siguiente trabajo es el de elaborar una lectura de Roommates de Robertita a partir de los conceptos de intermedialidad e inmersión. Esta operación nos permitirá poner en duda, para el presente, la centralidad de la hipótesis de la especificación medial propia del formalismo. En primer lugar, examinaremos las referencias intermediales para analizar las operaciones en que la novela figura el efecto subjetivo de las nuevas tecnologías de la información. En segundo lugar, a partir del carácter intermedial de la obra (texto, imagen, música), argumentaremos que esta mixtura en la estructura de la obra busca performar una remediación del lenguaje del cine, introduciendo una inmersión particular, de naturaleza temporal y emocional. Finalmente, se realiza un llamado a elaborar nuevos vocabularios teórico-críticos para responder a la singularidad de estos acontecimientos artísticos. Proponemos la figura del crítico intermedial para referirnos a ese crítico que, sin perder su formación filológica o de análisis de discurso, se adentra en nuevos lenguajes y saberes. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2024-07-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/45632 10.53971/2718.658x.v15.n25.45632 Recial; Vol. 15 Núm. 25 (2024): Dossier: Formas y problemas de la modernidad cultural en América Latina; 227-242 2718-658X 1853-4112 10.53971/2718.658x.v15.n25 spa https://revistas.unc.edu.ar/index.php/recial/article/view/45632/45721 https://revistas.unc.edu.ar/index.php/recial/article/view/45632/45722 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic intermediality
immersion
Robertita
roommates
remediation
intermedialidad
inmersión
Robertita
Roommates
remediación
spellingShingle intermediality
immersion
Robertita
roommates
remediation
intermedialidad
inmersión
Robertita
Roommates
remediación
Mosquera, Mariano Ernesto
Intermediality and Immersion: A Reading of Robertita
topic_facet intermediality
immersion
Robertita
roommates
remediation
intermedialidad
inmersión
Robertita
Roommates
remediación
author Mosquera, Mariano Ernesto
author_facet Mosquera, Mariano Ernesto
author_sort Mosquera, Mariano Ernesto
title Intermediality and Immersion: A Reading of Robertita
title_short Intermediality and Immersion: A Reading of Robertita
title_full Intermediality and Immersion: A Reading of Robertita
title_fullStr Intermediality and Immersion: A Reading of Robertita
title_full_unstemmed Intermediality and Immersion: A Reading of Robertita
title_sort intermediality and immersion: a reading of robertita
description The objective of the following work is to elaborate a reading of Robertita's Roommates based on the concepts of intermediality and immersion. This operation will allow us to question, for the present, the centrality of the medial specification hypothesis typical of formalism. In the first place, we will examine the intermedial references to analyze the operations in which the novel performs a figuration of the subjective effect of the new information technologies. Secondly, beginning with the intermedial character of the work (text, image, music), we will argue that this mixture in the structure of the work seeks to produce a remediation of the language of cinema, introducing a particular immersion, of a temporary and emotional nature. Finally, a call is made to elaborate new theoretical-critical vocabularies to respond to the singularity of these artistic events. We propose the figure of the intermedial critic to refer to that critic who, without losing his philological or discourse analysis training, delves into new languages ​​and knowledges.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2024
url https://revistas.unc.edu.ar/index.php/recial/article/view/45632
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first_indexed 2024-09-03T23:09:17Z
last_indexed 2025-02-05T22:24:26Z
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