In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca
The representation of the indio in the gauchesca has had, for the most part, negative connotations. However, in some cases this has not been the case. Bartolomé Hidalgo's work shows, in the midst of emancipatory and revolutionary candor, a positive view of that subjectivity. But, this semantic...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/43448 |
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I10-R377-article-434482025-11-20T06:12:03Z In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca En la voz del gaucho: sobre la figura del indio en la gauchesca de Bartolomé Hidalgo Pisano, Juan Ignacio gauchesca poetry Bartolomé Hidalgo argentine literature indio 19th century poesía gauchesca Bartolomé Hidalgo literatura argentina indio siglo XIX The representation of the indio in the gauchesca has had, for the most part, negative connotations. However, in some cases this has not been the case. Bartolomé Hidalgo's work shows, in the midst of emancipatory and revolutionary candor, a positive view of that subjectivity. But, this semantic content of the poems is limited by the realization of the gauchesca artifice itself, which eludes any possibility of a voice for the indio. This work seeks to be a first step in a reconstruction of the appearances of the indio in the patriotic literary genre. Reconstruction that is guided by a hypothesis: if the gaucho achieved the cultural preponderance that he has in the symbolic scaffolding of the Argentine nation, the gauchesca must have had a role in that process beyond the influence of Martín Fierro and his subsequent canonization. Hidalgo, while emerging that consolidates the genre, also gave his part to the figure of that very national tradition. La figuración del indio en la gauchesca ha tenido, mayormente, connotaciones negativas. Sin embargo, en algunos casos esto no ha sido así. La obra de Bartolomé Hidalgo muestra, en medio del candor emancipador y revolucionario, una mirada positiva de esa subjetividad. Pero ese contenido semántico de los poemas se ve limitado por la realización del propio artificio gauchesco que elude toda posibilidad de una voz para el indio. Este trabajo busca ser un primer paso en una reconstrucción de las apariciones de esta subjetividad en la gauchesca. Reconstrucción que se encuentra guiada por una hipótesis: si el gaucho logró la preponderancia cultural que tiene en el andamiaje simbólico de la nación argentina, la gauchesca debe haber tenido un rol en ese proceso más allá de la influencia del Martín Fierro y su posterior canonización. Hidalgo, en tanto emergente que consolida al género, también aportó su parte a la forma de esa tradición tan nacional. Facultad de Filosofía y Humanidades 2023-12-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/43448 10.53971/2718.658x.v15.n24.43448 Recial; Vol. 14 Núm. 24 (2023): Dossier: Figuras de la crítica: gestos, esferas e imágenes; 215-228 2718-658X 1853-4112 10.53971/2718.658x.v14.n24 spa https://revistas.unc.edu.ar/index.php/recial/article/view/43448/43498 https://revistas.unc.edu.ar/index.php/recial/article/view/43448/43515 https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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Artículo revista |
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gauchesca poetry Bartolomé Hidalgo argentine literature indio 19th century poesía gauchesca Bartolomé Hidalgo literatura argentina indio siglo XIX |
| spellingShingle |
gauchesca poetry Bartolomé Hidalgo argentine literature indio 19th century poesía gauchesca Bartolomé Hidalgo literatura argentina indio siglo XIX Pisano, Juan Ignacio In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca |
| topic_facet |
gauchesca poetry Bartolomé Hidalgo argentine literature indio 19th century poesía gauchesca Bartolomé Hidalgo literatura argentina indio siglo XIX |
| author |
Pisano, Juan Ignacio |
| author_facet |
Pisano, Juan Ignacio |
| author_sort |
Pisano, Juan Ignacio |
| title |
In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca |
| title_short |
In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca |
| title_full |
In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca |
| title_fullStr |
In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca |
| title_full_unstemmed |
In the voice of the gaucho: about the figure of the indio in the Bartlomé Hidalgo´s gauchesca |
| title_sort |
in the voice of the gaucho: about the figure of the indio in the bartlomé hidalgo´s gauchesca |
| description |
The representation of the indio in the gauchesca has had, for the most part, negative connotations. However, in some cases this has not been the case. Bartolomé Hidalgo's work shows, in the midst of emancipatory and revolutionary candor, a positive view of that subjectivity. But, this semantic content of the poems is limited by the realization of the gauchesca artifice itself, which eludes any possibility of a voice for the indio. This work seeks to be a first step in a reconstruction of the appearances of the indio in the patriotic literary genre. Reconstruction that is guided by a hypothesis: if the gaucho achieved the cultural preponderance that he has in the symbolic scaffolding of the Argentine nation, the gauchesca must have had a role in that process beyond the influence of Martín Fierro and his subsequent canonization. Hidalgo, while emerging that consolidates the genre, also gave his part to the figure of that very national tradition. |
| publisher |
Facultad de Filosofía y Humanidades |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/43448 |
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