Antonio Manuel, critical body

In the following pages I will try to underline the singularity of the critical figure of the body, or even the specificity of the body as criticism, in some of Antonio Manuel’s works from the sixties and seventies. In the artist’s body, in its appearance – that is, as an aesthetic emergency – an eve...

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Autor principal: de Vargas Giorgi, Artur
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2023
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/43365
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spelling I10-R377-article-433652025-11-20T06:08:23Z Antonio Manuel, critical body Antonio Manuel, corpo crítico de Vargas Giorgi, Artur Antonio Manuel body criticism latin-american contemporary art Antonio Manuel cuerpo crítica arte contemporáneo latinoamericano In the following pages I will try to underline the singularity of the critical figure of the body, or even the specificity of the body as criticism, in some of Antonio Manuel’s works from the sixties and seventies. In the artist’s body, in its appearance – that is, as an aesthetic emergency – an event is configured in which the ethical question par excellence – the decision – is put into play, as a vindication of a possible life. Lo que intentaré subrayar en las páginas siguientes es la singularidad de la figura crítica del cuerpo, o incluso, la especificidad del cuerpo como crítica, en algunas obras de Antonio Manuel de los años sesenta y setenta. En el cuerpo del artista, en su aparición –es decir, como emergencia estética– se configura un acontecimiento en el que se pone en juego la cuestión ética por excelencia –la decisión–, como reivindicación de una vida posible. Facultad de Filosofía y Humanidades 2023-12-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/43365 10.53971/2718.658x.v15.n24.43365 Recial; Vol. 14 Núm. 24 (2023): Dossier: Figuras de la crítica: gestos, esferas e imágenes; 126-138 2718-658X 1853-4112 10.53971/2718.658x.v14.n24 spa https://revistas.unc.edu.ar/index.php/recial/article/view/43365/43488 https://revistas.unc.edu.ar/index.php/recial/article/view/43365/43539 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic Antonio Manuel
body
criticism
latin-american contemporary art
Antonio Manuel
cuerpo
crítica
arte contemporáneo latinoamericano
spellingShingle Antonio Manuel
body
criticism
latin-american contemporary art
Antonio Manuel
cuerpo
crítica
arte contemporáneo latinoamericano
de Vargas Giorgi, Artur
Antonio Manuel, critical body
topic_facet Antonio Manuel
body
criticism
latin-american contemporary art
Antonio Manuel
cuerpo
crítica
arte contemporáneo latinoamericano
author de Vargas Giorgi, Artur
author_facet de Vargas Giorgi, Artur
author_sort de Vargas Giorgi, Artur
title Antonio Manuel, critical body
title_short Antonio Manuel, critical body
title_full Antonio Manuel, critical body
title_fullStr Antonio Manuel, critical body
title_full_unstemmed Antonio Manuel, critical body
title_sort antonio manuel, critical body
description In the following pages I will try to underline the singularity of the critical figure of the body, or even the specificity of the body as criticism, in some of Antonio Manuel’s works from the sixties and seventies. In the artist’s body, in its appearance – that is, as an aesthetic emergency – an event is configured in which the ethical question par excellence – the decision – is put into play, as a vindication of a possible life.
publisher Facultad de Filosofía y Humanidades
publishDate 2023
url https://revistas.unc.edu.ar/index.php/recial/article/view/43365
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first_indexed 2024-09-03T23:09:09Z
last_indexed 2025-11-27T05:26:26Z
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