A bird and a landscape. Temporal figures to distort the present
For much of the philosophical tradition, images have been and continue to be objects of criticism, since they seem to constitute a place of suspicion of deception and falsehood. However, images can ally with criticism, not only when they prove to be a tool or support for thought, but when they expos...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/43361 |
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I10-R377-article-433612025-11-20T06:03:39Z A bird and a landscape. Temporal figures to distort the present Un pájaro y un paisaje. Figuras temporales para distorsionar el presente Hilas, Sasha S. Dahbar, María Victoria dialectical imagen critique temporal frames experience interruption imagen dialéctica crítica marcos temporales experiencia interrupción For much of the philosophical tradition, images have been and continue to be objects of criticism, since they seem to constitute a place of suspicion of deception and falsehood. However, images can ally with criticism, not only when they prove to be a tool or support for thought, but when they expose their potential to criticize for themselves a world of violence. This article offers poetic texts by Wilsawa Szymborska and Mary Oliver as dialectical images, and traces within them certain critical temporal figures that disrupt the present, opening the question of the more normalized temporal frameworks and those that fail in their reproduction. The reflection admits two moments: the first, where the link with nature appears as a landscape as well as the relationship with the creaturely; and the second, where the sovereignty of a subject in cohabitation is put into tension, in the face of experiences that undo it. From a Benjaminian perspective, these poems function as an interruption to certain ways of understanding time, as they contain some figures that distort the full presence of the human, and thus offer a critique of the present as the prevailing framework for understanding time. Para buena parte de la tradición filosófica, las imágenes fueron y siguen siendo objetos de crítica, toda vez que parecieran constituir un lugar de sospecha de engaño y falsedad. Sin embargo, las imágenes pueden aliarse a la crítica, no sólo cuando demuestran ser una herramienta o apoyo para el pensamiento, sino cuando exponen su potencial para criticar por ellas mismas un mundo de violencias. Este artículo ofrece textos poéticos de Wilsawa Szymborska y Mary Oliver en tanto imágenes dialécticas, y rastrea en su interior ciertas figuras temporales críticas que desajustan el presente, abriendo la pregunta por los marcos temporales más normalizados y aquellos que fallan en su reproducción. La reflexión admite dos momentos: el primero, donde aparece el vínculo con la naturaleza en tanto que paisaje así como la relación con lo creatural; y el segundo, donde se pone en tensión la soberanía de un sujeto en cohabitación, ante unas experiencias que lo deshacen. Desde una perspectiva benjaminiana, dichos poemas funcionan como interrupción a ciertas maneras de entender el tiempo, en tanto alojan figuras que distorsionan la presencia plena de lo humano, y con ello, ofrecen una crítica al presente como marco prevalente para entender el tiempo. Facultad de Filosofía y Humanidades 2023-12-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/43361 10.53971/2718.658x.v15.n24.43361 Recial; Vol. 14 Núm. 24 (2023): Dossier: Figuras de la crítica: gestos, esferas e imágenes; 62-78 2718-658X 1853-4112 10.53971/2718.658x.v14.n24 spa https://revistas.unc.edu.ar/index.php/recial/article/view/43361/43474 https://revistas.unc.edu.ar/index.php/recial/article/view/43361/43536 https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-377 |
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Recial |
| language |
Español |
| format |
Artículo revista |
| topic |
dialectical imagen critique temporal frames experience interruption imagen dialéctica crítica marcos temporales experiencia interrupción |
| spellingShingle |
dialectical imagen critique temporal frames experience interruption imagen dialéctica crítica marcos temporales experiencia interrupción Hilas, Sasha S. Dahbar, María Victoria A bird and a landscape. Temporal figures to distort the present |
| topic_facet |
dialectical imagen critique temporal frames experience interruption imagen dialéctica crítica marcos temporales experiencia interrupción |
| author |
Hilas, Sasha S. Dahbar, María Victoria |
| author_facet |
Hilas, Sasha S. Dahbar, María Victoria |
| author_sort |
Hilas, Sasha S. |
| title |
A bird and a landscape. Temporal figures to distort the present |
| title_short |
A bird and a landscape. Temporal figures to distort the present |
| title_full |
A bird and a landscape. Temporal figures to distort the present |
| title_fullStr |
A bird and a landscape. Temporal figures to distort the present |
| title_full_unstemmed |
A bird and a landscape. Temporal figures to distort the present |
| title_sort |
bird and a landscape. temporal figures to distort the present |
| description |
For much of the philosophical tradition, images have been and continue to be objects of criticism, since they seem to constitute a place of suspicion of deception and falsehood. However, images can ally with criticism, not only when they prove to be a tool or support for thought, but when they expose their potential to criticize for themselves a world of violence. This article offers poetic texts by Wilsawa Szymborska and Mary Oliver as dialectical images, and traces within them certain critical temporal figures that disrupt the present, opening the question of the more normalized temporal frameworks and those that fail in their reproduction. The reflection admits two moments: the first, where the link with nature appears as a landscape as well as the relationship with the creaturely; and the second, where the sovereignty of a subject in cohabitation is put into tension, in the face of experiences that undo it. From a Benjaminian perspective, these poems function as an interruption to certain ways of understanding time, as they contain some figures that distort the full presence of the human, and thus offer a critique of the present as the prevailing framework for understanding time. |
| publisher |
Facultad de Filosofía y Humanidades |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/43361 |
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