On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión

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In the poem-book We have arrived at Ilión (1992), Magali Alabau (Cienfuegos, 1945) recounts the trip back to Havana that she made twenty years after going to live in the United States. Reissued again in 2013 by Editorial Betania in Madrid, the text does not lose validity as a contemporary account of...

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Autor principal: Puppo, María Lucía
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2023
Materias:
Magali Alabua
Cuban poetry
twentieth century
post-exile
city
poesía cubana
siglo XX
pos-exilio
ciudad
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/41363
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-41363
record_format ojs
spelling I10-R377-article-413632025-11-20T06:25:55Z On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión Sobre el arte de no pertenecer: la experiencia del pos-exilio en Hemos llegado a Ilión de Magali Alabau Puppo, María Lucía Magali Alabua Cuban poetry twentieth century post-exile city Magali Alabua poesía cubana siglo XX pos-exilio ciudad In the poem-book We have arrived at Ilión (1992), Magali Alabau (Cienfuegos, 1945) recounts the trip back to Havana that she made twenty years after going to live in the United States. Reissued again in 2013 by Editorial Betania in Madrid, the text does not lose validity as a contemporary account of the Cuban diaspora. This paper offers a reading of the poem in light of the notion of post-exile as developed by Alexis Nouss (2015), integrating the contributions of the social sciences in the perspective of comparative literature. On the one hand, we examine the various strategies that converge in the ghostly representation of the city, where spatial references intersect with mythological ones, highlighting the void left by the absent. On the other, we analyze some factors that define the status of the poetic speaker as a subject of post-exile in Alabau's long poem. En el poema-libro Hemos llegado a Ilión (1992) Magali Alabau (Cienfuegos, 1945) da cuenta del viaje de regreso a La Habana que realizó veinte años después de haber partido a vivir a Estados Unidos. Reeditado en 2013 nuevamente por Editorial Betania en Madrid, el texto no pierde vigencia como relato contemporáneo de la diáspora cubana. Este trabajo ofrece una lectura del poema a la luz de la noción de pos-exilio tal como la desarrolla Alexis Nouss (2015), integrando los aportes de las ciencias sociales en la perspectiva de la literatura comparada. Por una parte, se examinan las diversas estrategias que confluyen en la representación fantasmal de la ciudad, donde los referentes espaciales se entrecruzan con los mitológicos, poniendo de relieve el vacío que dejaron los ausentes. Por otra, se analizan algunos factores que en el largo poema de Alabau definen el estatuto de la hablante poética como sujeto del pos-exilio. Facultad de Filosofía y Humanidades 2023-07-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/41363 10.53971/2718.658x.v14.n23.41363 Recial; Vol. 14 Núm. 23 (2023): Dossier: Configuraciones de La Habana en las escrituras-texturas cubanas recientes; 34-46 2718-658X 1853-4112 10.53971/2718.658x.v14.n23 spa https://revistas.unc.edu.ar/index.php/recial/article/view/41363/41809 https://revistas.unc.edu.ar/index.php/recial/article/view/41363/41944 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic Magali Alabua
Cuban poetry
twentieth century
post-exile
city
Magali Alabua
poesía cubana
siglo XX
pos-exilio
ciudad
spellingShingle Magali Alabua
Cuban poetry
twentieth century
post-exile
city
Magali Alabua
poesía cubana
siglo XX
pos-exilio
ciudad
Puppo, María Lucía
On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión
topic_facet Magali Alabua
Cuban poetry
twentieth century
post-exile
city
Magali Alabua
poesía cubana
siglo XX
pos-exilio
ciudad
author Puppo, María Lucía
author_facet Puppo, María Lucía
author_sort Puppo, María Lucía
title On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión
title_short On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión
title_full On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión
title_fullStr On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión
title_full_unstemmed On the Art of Not Belonging: the Post-exile Experience in Magali Alabau's We have Arrived at Ilión
title_sort on the art of not belonging: the post-exile experience in magali alabau's we have arrived at ilión
description In the poem-book We have arrived at Ilión (1992), Magali Alabau (Cienfuegos, 1945) recounts the trip back to Havana that she made twenty years after going to live in the United States. Reissued again in 2013 by Editorial Betania in Madrid, the text does not lose validity as a contemporary account of the Cuban diaspora. This paper offers a reading of the poem in light of the notion of post-exile as developed by Alexis Nouss (2015), integrating the contributions of the social sciences in the perspective of comparative literature. On the one hand, we examine the various strategies that converge in the ghostly representation of the city, where spatial references intersect with mythological ones, highlighting the void left by the absent. On the other, we analyze some factors that define the status of the poetic speaker as a subject of post-exile in Alabau's long poem.
publisher Facultad de Filosofía y Humanidades
publishDate 2023
url https://revistas.unc.edu.ar/index.php/recial/article/view/41363
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first_indexed 2024-09-03T23:09:03Z
last_indexed 2025-11-27T05:26:21Z
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