The ear to the poem Listening and affectivity in recent Argentine poetry
In the current paper, I propose an itinerary based on four scenes in which different relations between listening and affectivity are articulated: hate, love, politics and otherness. Each section focuses on different books of contemporary Argentine poetry of the last decade: Odio a la poesí...
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Facultad de Filosofía y Humanidades
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/41228 |
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I10-R377-article-412282025-11-29T21:55:30Z The ear to the poem Listening and affectivity in recent Argentine poetry Prestar oídos al poema Escucha y afectividad en la poesía argentina reciente Moscardi, Matías contemporary Argentine poetry affectivity listening voice otherness poesía argentina contemporánea afectividad escucha voz alteridad In the current paper, I propose an itinerary based on four scenes in which different relations between listening and affectivity are articulated: hate, love, politics and otherness. Each section focuses on different books of contemporary Argentine poetry of the last decade: Odio a la poesía objetivista, by Francisco Garamona; Vos ahora voz, by Franco Rivero; Sequía and Una bomba nos está matando a todos, by Gabriel Reches; and Martes dedo, by Alfonsina Brión. My objective is to analyze the solidary functioning between listening and affectivity through the formal and compositional effects on the texts. As a hypothesis, I start from the idea that listening marks a form of relationship with the other in the poems. Methodologically, I return to the studies of Florencia Garramuño and Luciana di Leone on poetry and affectivity. In turn, I refer to the theories around listening outlined mainly by Jean-Luc Nancy and Peter Szendy. As a contribution to the specific field of Argentine poetry criticism, although the article proposes an itinerary through specific books, the problem raised could be thought of transversally as a possible line of composition for the poetry of the present. En el presente artículo, propongo un recorrido a partir de cuatro escenas en las que se articulan distintas relaciones entre escucha y afectividad: el odio, el amor, la política y la alteridad. Cada apartado pone en foco distintos libros de la última década: Odio a la poesía objetivista, de Francisco Garamona; Vos ahora voz, de Franco Rivero; Sequía y Una bomba nos está matando a todos, de Gabriel Reches; y Martes dedo, de Alfonsina Brión. Mi objetivo es analizar el funcionamiento solidario entre escucha y afectividad a través de los efectos formales y compositivos sobre los textos. Como hipótesis, parto de la idea de que la escucha marca en los poemas una forma de relación con el otro. Metodológicamente, retomo los trabajos de Florencia Garramuño y Luciana di Leone sobre poesía y afectividad. A su vez, me remito a las teorías de la escucha esbozadas por Jean-Luc Nancy y Peter Szendy. A modo de aporte al campo específico de la crítica de poesía argentina, si bien el artículo propone un recorrido por libros puntuales, la problemática planteada podría pensarse de manera transversal como una línea de composición posible para la poesía del presente. Facultad de Filosofía y Humanidades 2023-07-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/41228 10.53971/2718.658x.v14.n23.41228 Recial; Vol. 14 Núm. 23 (2023): Dossier: Configuraciones de La Habana en las escrituras-texturas cubanas recientes; 321-347 2718-658X 1853-4112 10.53971/2718.658x.v14.n23 spa https://revistas.unc.edu.ar/index.php/recial/article/view/41228/41824 https://revistas.unc.edu.ar/index.php/recial/article/view/41228/41937 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-377 |
| container_title_str |
Recial |
| language |
Español |
| format |
Artículo revista |
| topic |
contemporary Argentine poetry affectivity listening voice otherness poesía argentina contemporánea afectividad escucha voz alteridad |
| spellingShingle |
contemporary Argentine poetry affectivity listening voice otherness poesía argentina contemporánea afectividad escucha voz alteridad Moscardi, Matías The ear to the poem Listening and affectivity in recent Argentine poetry |
| topic_facet |
contemporary Argentine poetry affectivity listening voice otherness poesía argentina contemporánea afectividad escucha voz alteridad |
| author |
Moscardi, Matías |
| author_facet |
Moscardi, Matías |
| author_sort |
Moscardi, Matías |
| title |
The ear to the poem Listening and affectivity in recent Argentine poetry |
| title_short |
The ear to the poem Listening and affectivity in recent Argentine poetry |
| title_full |
The ear to the poem Listening and affectivity in recent Argentine poetry |
| title_fullStr |
The ear to the poem Listening and affectivity in recent Argentine poetry |
| title_full_unstemmed |
The ear to the poem Listening and affectivity in recent Argentine poetry |
| title_sort |
ear to the poem listening and affectivity in recent argentine poetry |
| description |
In the current paper, I propose an itinerary based on four scenes in which different relations between listening and affectivity are articulated: hate, love, politics and otherness. Each section focuses on different books of contemporary Argentine poetry of the last decade: Odio a la poesía objetivista, by Francisco Garamona; Vos ahora voz, by Franco Rivero; Sequía and Una bomba nos está matando a todos, by Gabriel Reches; and Martes dedo, by Alfonsina Brión. My objective is to analyze the solidary functioning between listening and affectivity through the formal and compositional effects on the texts. As a hypothesis, I start from the idea that listening marks a form of relationship with the other in the poems. Methodologically, I return to the studies of Florencia Garramuño and Luciana di Leone on poetry and affectivity. In turn, I refer to the theories around listening outlined mainly by Jean-Luc Nancy and Peter Szendy. As a contribution to the specific field of Argentine poetry criticism, although the article proposes an itinerary through specific books, the problem raised could be thought of transversally as a possible line of composition for the poetry of the present. |
| publisher |
Facultad de Filosofía y Humanidades |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/41228 |
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2024-09-03T23:09:02Z |
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