You are false and a liar. The femme fatale concept in the songbook of The Chichos

Los Chichos were one of the most popular musical bands during the Spanish Transición in the 80's. Pop culture usually links the band with jail and drug thematics, but from we can tell in the analyzed discography (1973-1989), the femme fatale figure is actually their main focus. In this article,...

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Autores principales: Rodríguez-Centeno, Juan Carlos, Jorquera-Fuertes, Isabel
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2023
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/41223
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spelling I10-R377-article-412232025-11-29T21:54:32Z You are false and a liar. The femme fatale concept in the songbook of The Chichos Eres falsa y embustera. El concepto de la mala mujer en el cancionero de Los Chichos Rodríguez-Centeno, Juan Carlos Jorquera-Fuertes, Isabel Chichos femme fatale popular music gender violence Chichos mala mujer música popular violencia de género Los Chichos were one of the most popular musical bands during the Spanish Transición in the 80's. Pop culture usually links the band with jail and drug thematics, but from we can tell in the analyzed discography (1973-1989), the femme fatale figure is actually their main focus. In this article, we will revisit this archetype; what it is, what sort of events come out from it and their consequences. The methodology used it's that of the mixed content analysis with quantitative and cualitative techniques. We have analyzed 43 songs where the figure of the femme fatale appears. The main take away from this essay is that the bad woman lies and abandones her partner, in dire conflict with the Gipsy Law where family is the most important pillar. Another one is that the bad woman behaviour will ultimately lead her to her own demise, to never be happy in the future. The most extreme result of this statements is violence and murder against that traiturous woman. Los Chichos fueron uno de los grupos musicales más populares durante la Transición y la década de los ochenta. La cultura popular asocia esta formación con canciones sobre la cárcel y la drogadicción, no obstante hemos comprobado en la discografía analizada (1973-1989) que la temática más habitual está protagonizada por la mala mujer. En este artículo el objetivo es estudiar la personalidad de la mala mujer: cómo es, qué actos desarrolla y sus consecuencias. La metodología empleada es el análisis de contenido mixto, con técnicas cuantitativas y cualitativas. Hemos analizado 43 canciones donde aparece la figura de la mala mujer. La conclusión más importante es que la mala mujer engaña y abandona a su pareja, y esto supone un grave atentado a la ley gitana, en la que la familia es el pilar social más importante. Otra de las conclusiones relevantes es que la conducta de la mala mujer la lleva a la perdición, jamás podrá ser feliz en el futuro. La consecuencia más extrema es la violencia de género, el asesinato de la mujer que traiciona. Facultad de Filosofía y Humanidades 2023-07-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/41223 10.53971/2718.658x.v14.n23.41223 Recial; Vol. 14 Núm. 23 (2023): Dossier: Configuraciones de La Habana en las escrituras-texturas cubanas recientes; 306-320 2718-658X 1853-4112 10.53971/2718.658x.v14.n23 spa https://revistas.unc.edu.ar/index.php/recial/article/view/41223/41823 https://revistas.unc.edu.ar/index.php/recial/article/view/41223/41935 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic Chichos
femme fatale
popular music
gender violence
Chichos
mala mujer
música popular
violencia de género
spellingShingle Chichos
femme fatale
popular music
gender violence
Chichos
mala mujer
música popular
violencia de género
Rodríguez-Centeno, Juan Carlos
Jorquera-Fuertes, Isabel
You are false and a liar. The femme fatale concept in the songbook of The Chichos
topic_facet Chichos
femme fatale
popular music
gender violence
Chichos
mala mujer
música popular
violencia de género
author Rodríguez-Centeno, Juan Carlos
Jorquera-Fuertes, Isabel
author_facet Rodríguez-Centeno, Juan Carlos
Jorquera-Fuertes, Isabel
author_sort Rodríguez-Centeno, Juan Carlos
title You are false and a liar. The femme fatale concept in the songbook of The Chichos
title_short You are false and a liar. The femme fatale concept in the songbook of The Chichos
title_full You are false and a liar. The femme fatale concept in the songbook of The Chichos
title_fullStr You are false and a liar. The femme fatale concept in the songbook of The Chichos
title_full_unstemmed You are false and a liar. The femme fatale concept in the songbook of The Chichos
title_sort you are false and a liar. the femme fatale concept in the songbook of the chichos
description Los Chichos were one of the most popular musical bands during the Spanish Transición in the 80's. Pop culture usually links the band with jail and drug thematics, but from we can tell in the analyzed discography (1973-1989), the femme fatale figure is actually their main focus. In this article, we will revisit this archetype; what it is, what sort of events come out from it and their consequences. The methodology used it's that of the mixed content analysis with quantitative and cualitative techniques. We have analyzed 43 songs where the figure of the femme fatale appears. The main take away from this essay is that the bad woman lies and abandones her partner, in dire conflict with the Gipsy Law where family is the most important pillar. Another one is that the bad woman behaviour will ultimately lead her to her own demise, to never be happy in the future. The most extreme result of this statements is violence and murder against that traiturous woman.
publisher Facultad de Filosofía y Humanidades
publishDate 2023
url https://revistas.unc.edu.ar/index.php/recial/article/view/41223
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