Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)
In this work we propose to analyze the poetic production of Martín Gambarotta and the intervention he makes within the field of poetry at the time of his entry –after having won the Primer Premio Iberoamericano Diario de Poesía in 1995– from the website poesía.com –co-directed with Daniel García Hel...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/37548 |
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| Sumario: | In this work we propose to analyze the poetic production of Martín Gambarotta and the intervention he makes within the field of poetry at the time of his entry –after having won the Primer Premio Iberoamericano Diario de Poesía in 1995– from the website poesía.com –co-directed with Daniel García Helder and Alejandro Rubio–. From a methodological perspective that puts Cultural Studies and critical productions on contemporary Argentine poetry in dialogue we studied how he read and how he positioned himself with respect to the groups and networks of poets that converged in Diario de Poesía (1986-2012) and 18 whiskys (1990-1993). In addition, we studied what selections of the productions of the present and the past he made from the web page, as well as what the clash that his poetics and the editorial catalog expressed between modernity and memory meant in a context of accelerated experimentation of time propitiated by financial accumulation of capital.. |
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