Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)

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In this work we propose to analyze the poetic production of Martín Gambarotta and the intervention he makes within the field of poetry at the time of his entry –after having won the Primer Premio Iberoamericano Diario de Poesía in 1995– from the website poesía.com –co-directed with Daniel García Hel...

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Autor principal: Tavernini, Emiliano
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2022
Materias:
argentine poetry
publishing houses
memory
neoliberalism
poesía argentina
editoriales
memoria
neoliberalismo
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/37548
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-37548
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spelling I10-R377-article-375482025-11-29T22:28:54Z Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006) Experiencia, memoria y régimen de presentificación en la poética de Martín Gambarotta y en el proyecto editorial de poesía.com (1996-2006) Tavernini, Emiliano argentine poetry publishing houses memory neoliberalism poesía argentina editoriales memoria neoliberalismo In this work we propose to analyze the poetic production of Martín Gambarotta and the intervention he makes within the field of poetry at the time of his entry –after having won the Primer Premio Iberoamericano Diario de Poesía in 1995– from the website poesía.com –co-directed with Daniel García Helder and Alejandro Rubio–. From a methodological perspective that puts Cultural Studies and critical productions on contemporary Argentine poetry in dialogue we studied how he read and how he positioned himself with respect to the groups and networks of poets that converged in Diario de Poesía (1986-2012) and 18 whiskys (1990-1993). In addition, we studied what selections of the productions of the present and the past he made from the web page, as well as what the clash that his poetics and the editorial catalog expressed between modernity and memory meant in a context of accelerated experimentation of time propitiated by financial accumulation of capital.. En este trabajo nos proponemos analizar la producción poética de Martín Gambarotta y la intervención que realiza al interior del campo de la poesía al momento de su ingreso –luego de haber ganado el Primer Premio Iberoamericano Diario de Poesía en 1995– desde la página web poesía.com –codirigida con Daniel García Helder y Alejandro Rubio–. Desde una perspectiva metodológica que pone en diálogo los Estudios culturales y las producciones críticas sobre poesía argentina contemporánea estudiamos qué lectura hacía Gambarotta entonces del subcampo, cómo se posicionaba respecto de las formaciones y las redes de poetas que confluían en Diario de Poesía (1986-2012) y 18 whiskys (1990-1993), así como qué selecciones de las producciones del presente y del pasado eran realizadas desde la página web. Además, proponemos conceptualizar qué significaba el choque que expresaba su poética y el catálogo editorial entre modernidad y memoria en un contexto de experimentación acelerada del tiempo propiciado por la acumulación financiera del capital. Facultad de Filosofía y Humanidades 2022-07-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/37548 10.53971/2718.658x.v13.n21.37548 Recial; Vol. 13 Núm. 21 (2022): Dossier: Géneros y sexualidades en las músicas populares 2718-658X 1853-4112 10.53971/2718.658x.v13.n21 spa https://revistas.unc.edu.ar/index.php/recial/article/view/37548/38172 https://revistas.unc.edu.ar/index.php/recial/article/view/37548/38173 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic argentine poetry
publishing houses
memory
neoliberalism
poesía argentina
editoriales
memoria
neoliberalismo
spellingShingle argentine poetry
publishing houses
memory
neoliberalism
poesía argentina
editoriales
memoria
neoliberalismo
Tavernini, Emiliano
Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)
topic_facet argentine poetry
publishing houses
memory
neoliberalism
poesía argentina
editoriales
memoria
neoliberalismo
author Tavernini, Emiliano
author_facet Tavernini, Emiliano
author_sort Tavernini, Emiliano
title Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)
title_short Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)
title_full Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)
title_fullStr Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)
title_full_unstemmed Experience, memory and presentification regime in the poetics of Martín Gambarotta and in the editorial project of poesía.com (1996-2006)
title_sort experience, memory and presentification regime in the poetics of martín gambarotta and in the editorial project of poesía.com (1996-2006)
description In this work we propose to analyze the poetic production of Martín Gambarotta and the intervention he makes within the field of poetry at the time of his entry –after having won the Primer Premio Iberoamericano Diario de Poesía in 1995– from the website poesía.com –co-directed with Daniel García Helder and Alejandro Rubio–. From a methodological perspective that puts Cultural Studies and critical productions on contemporary Argentine poetry in dialogue we studied how he read and how he positioned himself with respect to the groups and networks of poets that converged in Diario de Poesía (1986-2012) and 18 whiskys (1990-1993). In addition, we studied what selections of the productions of the present and the past he made from the web page, as well as what the clash that his poetics and the editorial catalog expressed between modernity and memory meant in a context of accelerated experimentation of time propitiated by financial accumulation of capital..
publisher Facultad de Filosofía y Humanidades
publishDate 2022
url https://revistas.unc.edu.ar/index.php/recial/article/view/37548
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first_indexed 2024-09-03T23:08:31Z
last_indexed 2025-12-27T05:10:19Z
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