The imprint of Proust on the work of George Seferis
If we trust Seferis when he claims that there is no parthenogenesis in art and that each of us is made of all that we have assimilated, then we can safely reach the conclusion that, in this melting pot which constitutes the artistic makeup of Yorgos Seferis, the Proustian influence has played one of...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/33836 |
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I10-R377-article-338362021-07-27T22:45:26Z The imprint of Proust on the work of George Seferis La huella de Proust en la obra de Yorgos Seferis Charcharé , Léna cratylism recreator mirror maieutica spermatic nekyia mythification cratilismo recreador espejo mayéutica espermático nekyia mitificación If we trust Seferis when he claims that there is no parthenogenesis in art and that each of us is made of all that we have assimilated, then we can safely reach the conclusion that, in this melting pot which constitutes the artistic makeup of Yorgos Seferis, the Proustian influence has played one of the most significant roles. And this may not be as obvious in his poetic production as it is in his unique novel, Six Nights on the Acropolis. The present study aspires to do exactly that: painstakingly pinpoint the Seferian sources of inspiration in the work of Marcel Proust. Apart from the most obvious affinities which concern the plot and the thematology, there are also many more imperceptible ones, such as the soteriological function of literature or the ubiquitous obsession of the past, among others. Si confiamos en Seferis cuando afirma que no hay partenogénesis en el arte y que cada uno de nosotros está hecho de todo lo que ha asimilado, entonces podemos llegar con seguridad a la conclusión de que, en este crisol que constituye la composición artística de Yorgos Seferis, la influencia proustiana ha jugado uno de los papeles más significativos. Y esto puede no ser tan obvio en su producción poética como en su única novela, Seis noches en la Acrópolis. El presente estudio aspira a hacer exactamente eso: señalar meticulosamente las fuentes de inspiración que Seferis encontró en la obra de Marcel Proust. Aparte de las afinidades más evidentes que atañen a la trama y la tematología, también existen muchas más imperceptibles, como la función soteriológica de la literatura o la obsesión ubicua del pasado, entre otras. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2021-07-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/33836 10.53971/2718.658x.v12.n19.33836 Recial; Vol. 12 Núm. 19 (2021): Dossier: Proust en otras literaturas. A 150 años de su nacimiento; 115-138 2718-658X 1853-4112 10.53971/2718.658x.v12.n19 spa https://revistas.unc.edu.ar/index.php/recial/article/view/33836/34197 https://revistas.unc.edu.ar/index.php/recial/article/view/33836/34198 https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-377 |
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Recial |
| language |
Español |
| format |
Artículo revista |
| topic |
cratylism recreator mirror maieutica spermatic nekyia mythification cratilismo recreador espejo mayéutica espermático nekyia mitificación |
| spellingShingle |
cratylism recreator mirror maieutica spermatic nekyia mythification cratilismo recreador espejo mayéutica espermático nekyia mitificación Charcharé , Léna The imprint of Proust on the work of George Seferis |
| topic_facet |
cratylism recreator mirror maieutica spermatic nekyia mythification cratilismo recreador espejo mayéutica espermático nekyia mitificación |
| author |
Charcharé , Léna |
| author_facet |
Charcharé , Léna |
| author_sort |
Charcharé , Léna |
| title |
The imprint of Proust on the work of George Seferis |
| title_short |
The imprint of Proust on the work of George Seferis |
| title_full |
The imprint of Proust on the work of George Seferis |
| title_fullStr |
The imprint of Proust on the work of George Seferis |
| title_full_unstemmed |
The imprint of Proust on the work of George Seferis |
| title_sort |
imprint of proust on the work of george seferis |
| description |
If we trust Seferis when he claims that there is no parthenogenesis in art and that each of us is made of all that we have assimilated, then we can safely reach the conclusion that, in this melting pot which constitutes the artistic makeup of Yorgos Seferis, the Proustian influence has played one of the most significant roles. And this may not be as obvious in his poetic production as it is in his unique novel, Six Nights on the Acropolis.
The present study aspires to do exactly that: painstakingly pinpoint the Seferian sources of inspiration in the work of Marcel Proust. Apart from the most obvious affinities which concern the plot and the thematology, there are also many more imperceptible ones, such as the soteriological function of literature or the ubiquitous obsession of the past, among others. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/33836 |
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2024-09-03T23:08:21Z |
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