Dramaturgies of the 21st century: research, creation, translation and publishing
In this article we make a revision of the projects that we have worked on in the last ten years and were based in the Research Center of the Faculty of Philosophy and Humanities (CIFFyH, UNC), dedicated to the study of Argentine, Latin American (Chilean, Brazilian) and European (French, Belgian, Ger...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/31278 |
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| Sumario: | In this article we make a revision of the projects that we have worked on in the last ten years and were based in the Research Center of the Faculty of Philosophy and Humanities (CIFFyH, UNC), dedicated to the study of Argentine, Latin American (Chilean, Brazilian) and European (French, Belgian, German, Spanish) dramaturgies from the late 20th and early 21st centuries. In the analysis of poetics characterized by diversity, we can see a reformulation and update of the proposals of the historical avant-gardes (liminality between disciplines and languages, reflection on one's own praxis, redefinition of theatricality, the prominence of the interaction between art and life, among others). Among the concepts revised and developed from the work with post-avant-garde productions, the following stand out: mise en page, landscape, speaking body, translation; as well as updates on plastic procedures such as mise en abyme, portrait, foreshortening, trompe l'oeil. The research carried out from 2011 to the present has been consolidated as spaces for the exchange of concerns and theoretical debates, collaborative readings and writings, transdisciplinary methodological decisions, creations and challenges that promoted the emergence of other projects, such as the PapelesTeatrales collection (FFyH, UNC publishing house). |
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