Dramaturgies of the 21st century: research, creation, translation and publishing

In this article we make a revision of the projects that we have worked on in the last ten years and were based in the Research Center of the Faculty of Philosophy and Humanities (CIFFyH, UNC), dedicated to the study of Argentine, Latin American (Chilean, Brazilian) and European (French, Belgian, Ger...

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Autores principales: Fobbio, Laura, van Muylem, Micaela
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2020
Materias:
dramaturgies
reserch
creation
traslation
publishing
dramaturgias
investigación
creación
traducción
edición
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/31278
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-31278
record_format ojs
spelling I10-R377-article-312782025-11-29T23:11:36Z Dramaturgies of the 21st century: research, creation, translation and publishing Dramaturgias del siglo XXI: investigación, creación, traducción y edición Fobbio, Laura van Muylem, Micaela dramaturgies reserch creation traslation publishing dramaturgias investigación creación traducción edición In this article we make a revision of the projects that we have worked on in the last ten years and were based in the Research Center of the Faculty of Philosophy and Humanities (CIFFyH, UNC), dedicated to the study of Argentine, Latin American (Chilean, Brazilian) and European (French, Belgian, German, Spanish) dramaturgies from the late 20th and early 21st centuries. In the analysis of poetics characterized by diversity, we can see a reformulation and update of the proposals of the historical avant-gardes (liminality between disciplines and languages, reflection on one's own praxis, redefinition of theatricality, the prominence of the interaction between art and life, among others). Among the concepts revised and developed from the work with post-avant-garde productions, the following stand out: mise en page, landscape, speaking body, translation; as well as updates on plastic procedures such as mise en abyme, portrait, foreshortening, trompe l'oeil. The research carried out from 2011 to the present has been consolidated as spaces for the exchange of concerns and theoretical debates, collaborative readings and writings, transdisciplinary methodological decisions, creations and challenges that promoted the emergence of other projects, such as the PapelesTeatrales collection (FFyH, UNC publishing house). En este trabajo proponemos un recorrido por los proyectos de investigación que conformamos en los últimos diez años y que estuvieron radicados en el Centro de Investigaciones de la Facultad de Filosofía y Humanidades (CIFFyH) de la Universidad Nacional de Córdoba (UNC), dedicados al estudio de dramaturgias argentinas, latinoamericanas (chilena y brasilera) y europeas (francesa, belga, alemana y española) de finales del siglo XX y principios del XXI. En el análisis de poéticas caracterizadas por la diversidad, advertimos que se reformulan y actualizan propuestas de las vanguardias históricas (liminalidad entre disciplinas y lenguajes, reflexión sobre la propia praxis, redefinición de la teatralidad otorgando protagonismo a la interacción entre arte y vida, entre otras). Entre los conceptos revisados y configurados a partir del trabajo con producciones de posvanguardia, destacan: puesta en página, paisaje, cuerpo parlante, traducción, así como las actualizaciones de procedimientos plásticos como mise en abyme, retrato, escorzo, trampantojo. Las investigaciones desarrolladas desde 2011 hasta la actualidad se fueron consolidando como espacios de intercambio de inquietudes y debates teóricos, lecturas y escrituras colaborativas, decisiones metodológicas transdisciplinares, creaciones y desafíos que promovieron el surgimiento de otros proyectos, como la colección Papeles Teatrales (Editorial de la FFyH, UNC). Facultad de Filosofía y Humanidades 2020-12-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/31278 10.53971/2718.658x.v11.n18.31278 Recial; Vol. 11 Núm. 18 (2020): Dossier: El cerco de los signos: comunidad, palabra y libertad en la literatura del sur argentino chileno del siglo XXI / DOSSIER ANIVERSARIO: Décimo Aniversario de la Revista RECIAL. La investigación en la Facultad de Filosofía en la Universidad Nacional de Córdoba 2718-658X 1853-4112 10.53971/2718.658x.v11.n18 spa https://revistas.unc.edu.ar/index.php/recial/article/view/31278/31917 https://revistas.unc.edu.ar/index.php/recial/article/view/31278/31918 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic dramaturgies
reserch
creation
traslation
publishing
dramaturgias
investigación
creación
traducción
edición
spellingShingle dramaturgies
reserch
creation
traslation
publishing
dramaturgias
investigación
creación
traducción
edición
Fobbio, Laura
van Muylem, Micaela
Dramaturgies of the 21st century: research, creation, translation and publishing
topic_facet dramaturgies
reserch
creation
traslation
publishing
dramaturgias
investigación
creación
traducción
edición
author Fobbio, Laura
van Muylem, Micaela
author_facet Fobbio, Laura
van Muylem, Micaela
author_sort Fobbio, Laura
title Dramaturgies of the 21st century: research, creation, translation and publishing
title_short Dramaturgies of the 21st century: research, creation, translation and publishing
title_full Dramaturgies of the 21st century: research, creation, translation and publishing
title_fullStr Dramaturgies of the 21st century: research, creation, translation and publishing
title_full_unstemmed Dramaturgies of the 21st century: research, creation, translation and publishing
title_sort dramaturgies of the 21st century: research, creation, translation and publishing
description In this article we make a revision of the projects that we have worked on in the last ten years and were based in the Research Center of the Faculty of Philosophy and Humanities (CIFFyH, UNC), dedicated to the study of Argentine, Latin American (Chilean, Brazilian) and European (French, Belgian, German, Spanish) dramaturgies from the late 20th and early 21st centuries. In the analysis of poetics characterized by diversity, we can see a reformulation and update of the proposals of the historical avant-gardes (liminality between disciplines and languages, reflection on one's own praxis, redefinition of theatricality, the prominence of the interaction between art and life, among others). Among the concepts revised and developed from the work with post-avant-garde productions, the following stand out: mise en page, landscape, speaking body, translation; as well as updates on plastic procedures such as mise en abyme, portrait, foreshortening, trompe l'oeil. The research carried out from 2011 to the present has been consolidated as spaces for the exchange of concerns and theoretical debates, collaborative readings and writings, transdisciplinary methodological decisions, creations and challenges that promoted the emergence of other projects, such as the PapelesTeatrales collection (FFyH, UNC publishing house).
publisher Facultad de Filosofía y Humanidades
publishDate 2020
url https://revistas.unc.edu.ar/index.php/recial/article/view/31278
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first_indexed 2024-09-03T23:08:16Z
last_indexed 2025-12-27T05:10:04Z
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