Urban Scene, History and Poetics in José Agustín Goytisolo

The purpose of this article is to discuss the conjunction between history, poetry and city in Taller de arquitectura, by José Agustín Goytisolo, especially in his poem “Bilbao song”. A member of the so-called Generation of the Years 1950, Goytisolo has often shown a concern for the condition of man...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Santos, Margareth
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019
Materias:
Goytisolo
poetry
city
contemporary spanish history
poesía
ciudad
historia española contemporánea
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/27047
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-27047
record_format ojs
spelling I10-R377-article-270472020-07-09T23:15:38Z Urban Scene, History and Poetics in José Agustín Goytisolo Paisaje, historia y poética urbana en José Agustín Goytisolo Santos, Margareth Goytisolo poetry city contemporary spanish history Goytisolo poesía ciudad historia española contemporánea The purpose of this article is to discuss the conjunction between history, poetry and city in Taller de arquitectura, by José Agustín Goytisolo, especially in his poem “Bilbao song”. A member of the so-called Generation of the Years 1950, Goytisolo has often shown a concern for the condition of man in modern society and for his life in the urban centers and Taller de arquitectura as a representative work on his reflections about the human being and his environment. Therefore, we propose to discuss how the poet articulates different visions of the city of Bilbao with the various discourses that emerge from the poem. Through a tour of the political, social and aesthetic history of the late 1960s and the early 1970s in Spain, we have identified and examined the poetic procedures used by the author in configuring the relationships between history, poetry and society present in “Bilbao song”. Throughout this itinerary, we will exhibit as the author capturing and modulating the voices of “Bilbao song” using the background of images, stories and rhythms, to compose a mosaic that reveals the various faces of the city, its people, its fealty and its charm, and the city of the Franco dictatorship. Ese artículo pretende discutir el cruce entre historia, poesía y ciudad en la obra Taller de arquitectura, de José Agustín Goytisolo, especialmente en su poema “Bilbao song”. Integrante de la generación de los años 1950, Goytisolo demostró, frecuentemente, una gran preocupación por la condición del hombre en la sociedad moderna y por su vida en las grandes ciudades y Taller de arquitectura es una obra representativa de sus reflexiones sobre el hombre y su entorno. Por ello, discutiremos como el poeta articula distintas visiones de la ciudad de Bilbao con los diversos discursos que surgen a lo largo de dicho poema. A través de un recorrido por la historia política, social y estética del final de los años 1960 y principios de los ’70 en España, examinaremos los procedimientos poéticos utilizados por el autor para configurar las relaciones entre historia, poesía y sociedad en “Bilbao song”. A lo largo de ese itinerario, exhibiremos como el autor captura y modula las voces de “Bilbao song” utilizándose de la yuxtaposición de imágenes, historias y ritmos, para componer un mosaico que revela las diversas caras de la ciudad, sus gentes, su fealdad y su encanto bajo el cielo de la dictadura franquista. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/27047 10.53971/2718.658x.v10.n16.27047 Recial; Vol. 10 Núm. 16 (2019): Dossier: Nuevas articulaciones entre Folclore, Política y Nación en América Latina 2718-658X 1853-4112 10.53971/2718.658x.v10.n16 spa https://revistas.unc.edu.ar/index.php/recial/article/view/27047/28701 https://revistas.unc.edu.ar/index.php/recial/article/view/27047/28702
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic Goytisolo
poetry
city
contemporary spanish history
Goytisolo
poesía
ciudad
historia española contemporánea
spellingShingle Goytisolo
poetry
city
contemporary spanish history
Goytisolo
poesía
ciudad
historia española contemporánea
Santos, Margareth
Urban Scene, History and Poetics in José Agustín Goytisolo
topic_facet Goytisolo
poetry
city
contemporary spanish history
Goytisolo
poesía
ciudad
historia española contemporánea
author Santos, Margareth
author_facet Santos, Margareth
author_sort Santos, Margareth
title Urban Scene, History and Poetics in José Agustín Goytisolo
title_short Urban Scene, History and Poetics in José Agustín Goytisolo
title_full Urban Scene, History and Poetics in José Agustín Goytisolo
title_fullStr Urban Scene, History and Poetics in José Agustín Goytisolo
title_full_unstemmed Urban Scene, History and Poetics in José Agustín Goytisolo
title_sort urban scene, history and poetics in josé agustín goytisolo
description The purpose of this article is to discuss the conjunction between history, poetry and city in Taller de arquitectura, by José Agustín Goytisolo, especially in his poem “Bilbao song”. A member of the so-called Generation of the Years 1950, Goytisolo has often shown a concern for the condition of man in modern society and for his life in the urban centers and Taller de arquitectura as a representative work on his reflections about the human being and his environment. Therefore, we propose to discuss how the poet articulates different visions of the city of Bilbao with the various discourses that emerge from the poem. Through a tour of the political, social and aesthetic history of the late 1960s and the early 1970s in Spain, we have identified and examined the poetic procedures used by the author in configuring the relationships between history, poetry and society present in “Bilbao song”. Throughout this itinerary, we will exhibit as the author capturing and modulating the voices of “Bilbao song” using the background of images, stories and rhythms, to compose a mosaic that reveals the various faces of the city, its people, its fealty and its charm, and the city of the Franco dictatorship.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2019
url https://revistas.unc.edu.ar/index.php/recial/article/view/27047
work_keys_str_mv AT santosmargareth urbanscenehistoryandpoeticsinjoseagustingoytisolo
AT santosmargareth paisajehistoriaypoeticaurbanaenjoseagustingoytisolo
first_indexed 2024-09-03T23:08:05Z
last_indexed 2024-09-03T23:08:05Z
_version_ 1809218153663692800

Ejemplares similares