Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio

This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important themati...

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Detalles Bibliográficos
Autor principal: Luján, María Guadalupe
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2018
Materias:
Neobaroque
Marosa Di Giorgio
Missals
metamorphosis
corporalities
Neobarroco
Misales
metamorfosis
corporalidades
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22937
Aporte de:
Recial de Universidad Nacional de Córdoba

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