Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important themati...
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| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/22937 |
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I10-R377-article-229372025-11-30T15:37:20Z Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio Transmutaciones neobarrocas: corporalidades en tensión en Misales de Marosa Di Giorgio Luján, María Guadalupe Neobaroque Marosa Di Giorgio Missals metamorphosis corporalities Neobarroco Marosa Di Giorgio Misales metamorfosis corporalidades This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important thematic complexity, has been considered by critics ascribed to the realistic artistic register and to the fantastic genre. Most of these studies have concentrated on tracing the paths of her thematic searches: sexuality, eros, the limits of the poetic word, but they have neglected in detail the author's aesthetic paths, which in our opinion allow us to recognize discontinuities and/or aesthetic shifts. In this article we propose to give an account of the most notable and repeated neo-baroque features that can be observed in her book of erotic stories Misales (1993). Este artículo pretende un acercamiento a la producción de la autora uruguaya Marosa di Giorgio (Salto, 1932- Montevideo, 2004) tendiente a recuperar las características neobarrocas presentes en su obra. La prolífica obra marosiana, en la frontera entre lo lírico y lo narrativo y de importante complejidad temática, ha sido considerada por la crítica adscripta al registro artístico realista y o bien al género fantástico. La mayoría de estos estudios se han concentrado en trazar los recorridos de sus búsquedas temáticas: la sexualidad, el eros, los límites de la palabra poética pero han desatendido en detalle los recorridos estéticos de la autora, los que a nuestro juicio permite reconocer discontinuidades y/o virajes estéticos. Nos proponemos en este artículo dar cuenta de los rasgos neobarrocos más notables y reiterados que pueden advertirse en su libro de relatos eróticos Misales (1993). Facultad de Filosofía y Humanidades 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/22937 10.53971/2718.658x.v9.n14.22937 Recial; Vol. 9 Núm. 14 (2018): Dossier: Del Barroco y el Neobarroco 2718-658X 1853-4112 10.53971/2718.658x.v9.n14 spa https://revistas.unc.edu.ar/index.php/recial/article/view/22937/22636 https://revistas.unc.edu.ar/index.php/recial/article/view/22937/html Derechos de autor 2018 Recial https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-377 |
| container_title_str |
Recial |
| language |
Español |
| format |
Artículo revista |
| topic |
Neobaroque Marosa Di Giorgio Missals metamorphosis corporalities Neobarroco Marosa Di Giorgio Misales metamorfosis corporalidades |
| spellingShingle |
Neobaroque Marosa Di Giorgio Missals metamorphosis corporalities Neobarroco Marosa Di Giorgio Misales metamorfosis corporalidades Luján, María Guadalupe Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
| topic_facet |
Neobaroque Marosa Di Giorgio Missals metamorphosis corporalities Neobarroco Marosa Di Giorgio Misales metamorfosis corporalidades |
| author |
Luján, María Guadalupe |
| author_facet |
Luján, María Guadalupe |
| author_sort |
Luján, María Guadalupe |
| title |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
| title_short |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
| title_full |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
| title_fullStr |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
| title_full_unstemmed |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
| title_sort |
neo-baroque transmutations: tension bodies in misales by marosa di giorgio |
| description |
This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important thematic complexity, has been considered by critics ascribed to the realistic artistic register and to the fantastic genre. Most of these studies have concentrated on tracing the paths of her thematic searches: sexuality, eros, the limits of the poetic word, but they have neglected in detail the author's aesthetic paths, which in our opinion allow us to recognize discontinuities and/or aesthetic shifts. In this article we propose to give an account of the most notable and repeated neo-baroque features that can be observed in her book of erotic stories Misales (1993). |
| publisher |
Facultad de Filosofía y Humanidades |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/22937 |
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2024-09-03T23:07:58Z |
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2025-12-27T05:09:44Z |
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