Un final feliz : literary criticism, between the end of analysis and the end of literature

The present study introduces a survey of two different critical approaches to the work of Gabriela Liffschitz –precisely, articles by Paola Cortés Rocca and Alberto Giordano–, as well as the theoretical frames with which they dialogue, in order to highlight their explanatory inadequacies. Then, an i...

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Detalles Bibliográficos
Autor principal: Lopez, Rodrigo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
Materias:
crítica
giro autobiográfico
posautonomía
psicoanálisis
Un final feliz
criticism
autobiographical turn
postautonomy
psychoanalysis
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22862
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-22862
record_format ojs
spelling I10-R377-article-228622018-12-20T12:58:28Z Un final feliz : literary criticism, between the end of analysis and the end of literature Un final feliz: la crítica, entre el fin del análisis y el fin de la literatura Lopez, Rodrigo crítica giro autobiográfico posautonomía psicoanálisis Un final feliz criticism autobiographical turn postautonomy psychoanalysis Un final feliz The present study introduces a survey of two different critical approaches to the work of Gabriela Liffschitz –precisely, articles by Paola Cortés Rocca and Alberto Giordano–, as well as the theoretical frames with which they dialogue, in order to highlight their explanatory inadequacies. Then, an interdisciplinary intersection with psychoanalytic theory is proposed, which enables critical considerations able to approach the productions in question, as well as to give an approach of its own epistemological presuppositions and to delimitate the literary specificity of its object of study. Around the concept of sublimation, according to Leo Bersani and Carlos Kuri, first, and to the aesthetic-lacanian considerations of Massimo Recalcati, then, a critical path is drawn, which finds, in the singularity of each text and photographic series, a properly literary way of questioning an intermedial artistic practice like Liffschitz’s. Finally, the notion of author iconography, by Jean-Luc Nancy, allows a conclusive synthesis of the conceptual reflections traced during the study. El presente trabajo comienza por exponer un relevamiento de distintas aproximaciones críticas a la obra de Gabriela Liffschitz –precisamente, artículos de Paola Cortés Rocca y Alberto Giordano–, así como de los marcos teóricos con que éstas dialogan, para luego remarcar las insuficiencias explicativas con que acaban por encontrarse. Posteriormente, se propone un cruce interdisciplinar con la teoría psicoanalítica, el cual habilita consideraciones críticas capaces no solo de abordar pertinentemente las producciones en cuestión, sino además de dar cuenta de sus propios presupuestos epistemológicos y así delimitar la especificidad literaria de su objeto de estudio. En torno del concepto de sublimación, según lo entienden Leo Bersani y Carlos Kuri, primero, y de las consideraciones estético-lacanianas de Massimo Recalcati, después, se traza un recorrido crítico que encuentra, en la singularidad de cada texto y serie fotográfica, un modo propiamente literario de interrogar una práctica artística intermedial como la de Liffschitz. Finalmente, la noción de “iconografía de autor”, de Jean-Luc Nancy, habilita una síntesis concluyente de las reflexiones conceptuales esbozadas a lo largo del trabajo. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/22862 10.53971/2718.658x.v9.n14.22862 Recial; Vol. 9 Núm. 14 (2018): Dossier: Del Barroco y el Neobarroco 2718-658X 1853-4112 10.53971/2718.658x.v9.n14 spa https://revistas.unc.edu.ar/index.php/recial/article/view/22862/22462 https://revistas.unc.edu.ar/index.php/recial/article/view/22862/html Derechos de autor 2018 Recial
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic crítica
giro autobiográfico
posautonomía
psicoanálisis
Un final feliz
criticism
autobiographical turn
postautonomy
psychoanalysis
Un final feliz
spellingShingle crítica
giro autobiográfico
posautonomía
psicoanálisis
Un final feliz
criticism
autobiographical turn
postautonomy
psychoanalysis
Un final feliz
Lopez, Rodrigo
Un final feliz : literary criticism, between the end of analysis and the end of literature
topic_facet crítica
giro autobiográfico
posautonomía
psicoanálisis
Un final feliz
criticism
autobiographical turn
postautonomy
psychoanalysis
Un final feliz
author Lopez, Rodrigo
author_facet Lopez, Rodrigo
author_sort Lopez, Rodrigo
title Un final feliz : literary criticism, between the end of analysis and the end of literature
title_short Un final feliz : literary criticism, between the end of analysis and the end of literature
title_full Un final feliz : literary criticism, between the end of analysis and the end of literature
title_fullStr Un final feliz : literary criticism, between the end of analysis and the end of literature
title_full_unstemmed Un final feliz : literary criticism, between the end of analysis and the end of literature
title_sort un final feliz : literary criticism, between the end of analysis and the end of literature
description The present study introduces a survey of two different critical approaches to the work of Gabriela Liffschitz –precisely, articles by Paola Cortés Rocca and Alberto Giordano–, as well as the theoretical frames with which they dialogue, in order to highlight their explanatory inadequacies. Then, an interdisciplinary intersection with psychoanalytic theory is proposed, which enables critical considerations able to approach the productions in question, as well as to give an approach of its own epistemological presuppositions and to delimitate the literary specificity of its object of study. Around the concept of sublimation, according to Leo Bersani and Carlos Kuri, first, and to the aesthetic-lacanian considerations of Massimo Recalcati, then, a critical path is drawn, which finds, in the singularity of each text and photographic series, a properly literary way of questioning an intermedial artistic practice like Liffschitz’s. Finally, the notion of author iconography, by Jean-Luc Nancy, allows a conclusive synthesis of the conceptual reflections traced during the study.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/recial/article/view/22862
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first_indexed 2024-09-03T23:07:56Z
last_indexed 2024-09-03T23:07:56Z
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