The thing and the words. Story and emotion in a police museum

Mostrar todas las versiones(2)

It is clear that a museum offers stories: turns what it is material into a cultural significant pattern. The same exercise carries out the Museum of Argentine Federal Police. The artifacts there stage discourses, experiences and values that allow police agency to think about itself as institution. T...

Descripción completa

Detalles Bibliográficos
Autor principal: Sirimarco, Mariana
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2014
Materias:
museo policial
relato
emocionalidad
objetos
palabras
police museum
story
emotion
objects
words
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/9104
Aporte de:
Revista del Museo de Antropología de Universidad Nacional de Córdoba
id I10-R372-article-9104
record_format ojs
spelling I10-R372-article-91042024-11-04T18:07:33Z The thing and the words. Story and emotion in a police museum La cosa y la palabra. Relato y emocionalidad en un museo policial Sirimarco, Mariana museo policial relato emocionalidad objetos palabras police museum story emotion objects words It is clear that a museum offers stories: turns what it is material into a cultural significant pattern. The same exercise carries out the Museum of Argentine Federal Police. The artifacts there stage discourses, experiences and values that allow police agency to think about itself as institution. This paper intends to analyze the construction of some of these stories, understanding them as narratives that imply not only political and social senses, but also ethic and moral ones. A story is not shaped by the aseptic description of an event, but by the transformation of it into a message. That is to say, by a narrative operation that carries emotional charge. Dismantling the emotionality of these stories implies, in the context of a museum, understanding them as plural records, where the semantics of an event entails diverse communicative modes. Which elements are selected to carry significant feelings? How these different records combine in producing emotion? And most of all: how the materiality of the artifact builds emotionality? How objects can move us? Es a todas luces claro que un museo brinda un relato: vuelve lo material en patrón cultural significativo. Idéntico ejercicio le cabe al Museo de la Policía Federal Argentina. Los artefactos que en él se despliegan ponen en escena discursos, vivencias y valorizaciones a partir de los cuales pensarse como institución. Este trabajo pretende bucear en la construcción de algunos de estos relatos, entendiéndolos como narrativas que no sólo involucran un universo de sentidos políticos y sociales, sino un universo ético y moral. Un relato no se conforma por la descripción aséptica de un evento, sino por la conversión de un acontecimiento en un mensaje. Esto es, por una narrativización que porta carga emocional. Desarmar estos relatos en su clave emotiva supone, en el contexto de un museo, prestar atención a su carácter de registros pluri-modales, donde la semantización de un evento interpela diversos modos comunicativos. ¿Qué elementos se seleccionan para comportar sentimientos significativos? ¿Cómo se vinculan, estos distintos registros, en la producción de la emotividad? Y sobre todo: ¿cómo se construye lo emotivo desde la materialidad de un artefacto? ¿Cómo logra conmover un objeto? Facultad de Filosofía y Humanidades. Museo de Antropología 2014-09-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares antropología social Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/9104 10.31048/1852.4826.v7.n1.9104 Revista del Museo de Antropología; Vol. 7 No. 1 (2014); 177-188 Revista del Museo de Antropología; Vol. 7 Núm. 1 (2014); 177-188 Revista del Museo de Antropología; v. 7 n. 1 (2014); 177-188 1852-4826 1852-060X 10.31048/1852.4826.v7.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/9104/9953 Derechos de autor 2014 Mariana Sirimarco
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-372
container_title_str Revista del Museo de Antropología
language Español
format Artículo revista
topic museo policial
relato
emocionalidad
objetos
palabras
police museum
story
emotion
objects
words
spellingShingle museo policial
relato
emocionalidad
objetos
palabras
police museum
story
emotion
objects
words
Sirimarco, Mariana
The thing and the words. Story and emotion in a police museum
topic_facet museo policial
relato
emocionalidad
objetos
palabras
police museum
story
emotion
objects
words
author Sirimarco, Mariana
author_facet Sirimarco, Mariana
author_sort Sirimarco, Mariana
title The thing and the words. Story and emotion in a police museum
title_short The thing and the words. Story and emotion in a police museum
title_full The thing and the words. Story and emotion in a police museum
title_fullStr The thing and the words. Story and emotion in a police museum
title_full_unstemmed The thing and the words. Story and emotion in a police museum
title_sort thing and the words. story and emotion in a police museum
description It is clear that a museum offers stories: turns what it is material into a cultural significant pattern. The same exercise carries out the Museum of Argentine Federal Police. The artifacts there stage discourses, experiences and values that allow police agency to think about itself as institution. This paper intends to analyze the construction of some of these stories, understanding them as narratives that imply not only political and social senses, but also ethic and moral ones. A story is not shaped by the aseptic description of an event, but by the transformation of it into a message. That is to say, by a narrative operation that carries emotional charge. Dismantling the emotionality of these stories implies, in the context of a museum, understanding them as plural records, where the semantics of an event entails diverse communicative modes. Which elements are selected to carry significant feelings? How these different records combine in producing emotion? And most of all: how the materiality of the artifact builds emotionality? How objects can move us?
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2014
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/9104
work_keys_str_mv AT sirimarcomariana thethingandthewordsstoryandemotioninapolicemuseum
AT sirimarcomariana lacosaylapalabrarelatoyemocionalidadenunmuseopolicial
AT sirimarcomariana thingandthewordsstoryandemotioninapolicemuseum
first_indexed 2024-09-03T20:02:08Z
last_indexed 2025-03-27T05:34:05Z
_version_ 1827724219168849920

Ejemplares similares