The museums of Buenos Aires last frontier and their narrative about indigenous peoples

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In this paper we analyze the hegemonic narrative about the indigenous peoples which are in the museums of the former military commands, based on the framework of War Minister Adolfo Alsina’s strategy of advancing the frontier. These commands have become cities located in an area we call the last fro...

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Autor principal: Nagy, Mariano Ariel
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2013
Materias:
museos
frontera
campañas militares
pueblos indígenas
museums
frontier
military campaigns
indigenous people
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/5506
Aporte de:
Revista del Museo de Antropología de Universidad Nacional de Córdoba
id I10-R372-article-5506
record_format ojs
spelling I10-R372-article-55062024-11-04T18:07:15Z The museums of Buenos Aires last frontier and their narrative about indigenous peoples Los museos de la última frontera bonaerense y sus narrativas acerca de los pueblos indígenas Nagy, Mariano Ariel museos frontera campañas militares pueblos indígenas museums frontier military campaigns indigenous people In this paper we analyze the hegemonic narrative about the indigenous peoples which are in the museums of the former military commands, based on the framework of War Minister Adolfo Alsina’s strategy of advancing the frontier. These commands have become cities located in an area we call the last frontier of Buenos Aires, which most significant brand, the Alsina trench, would be established as the ultimate limit against the indigenous societies and the prelude to military campaigns known as the Conquest of the Desert (1879-1885). This regional space currently has a number of historical museums that make up a story about the indigenous peoples, the military campaigns undertaken for their submission, and about the local and national origin. Discussed here are the Puan and Trenque Lauquen cases, with special emphasis on the analysis of historical accounts that museums exhibit and have managed to crystallize in the collective imagination, as well as those topics never considered, among which the submission and subsequent trajectories of the aborigines of the region become the most notable example. En este trabajo se analizan las narrativas hegemónicas acerca de los pueblos indígenas que se presentan en los museos de las ex comandancias militares, fundadas en el marco de la estrategia de avance de la frontera del Ministro de Guerra Adolfo Alsina. Dichas comandancias han devenido ciudades emplazadas en un espacio que denominamos última frontera bonaerense, cuya marca más significativa, la Zanja de Alsina, se constituiría como el último límite frente a las sociedades indígenas y la antesala de las campañas militares conocidas como la Conquista del Desierto (1879-1885). Éste espacio regional cuenta en la actualidad con una serie de museos históricos que construyen un relato acerca del origen local y nacional, de los pueblos indígenas y de las campañas militares emprendidas para su sometimiento. Se abordan aquí los casos de Puan y Trenque Lauquen, con especial énfasis en el análisis de los relatos históricos que sus museos exhiben y han logrado cristalizar en el imaginario colectivo, como así también en aquellos tópicos nunca considerados, entre los cuales el sometimiento y las posteriores trayectorias de los aborígenes de la región, devienen en el ejemplo más notable. Facultad de Filosofía y Humanidades. Museo de Antropología 2013-07-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/5506 10.31048/1852.4826.v6.n1.5506 Revista del Museo de Antropología; Vol. 6 No. 1 (2013); 79-90 Revista del Museo de Antropología; Vol. 6 Núm. 1 (2013); 79-90 Revista del Museo de Antropología; v. 6 n. 1 (2013); 79-90 1852-4826 1852-060X 10.31048/1852.4826.v6.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/5506/5952 Derechos de autor 2013 Mariano Ariel Nagy
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-372
container_title_str Revista del Museo de Antropología
language Español
format Artículo revista
topic museos
frontera
campañas militares
pueblos indígenas
museums
frontier
military campaigns
indigenous people
spellingShingle museos
frontera
campañas militares
pueblos indígenas
museums
frontier
military campaigns
indigenous people
Nagy, Mariano Ariel
The museums of Buenos Aires last frontier and their narrative about indigenous peoples
topic_facet museos
frontera
campañas militares
pueblos indígenas
museums
frontier
military campaigns
indigenous people
author Nagy, Mariano Ariel
author_facet Nagy, Mariano Ariel
author_sort Nagy, Mariano Ariel
title The museums of Buenos Aires last frontier and their narrative about indigenous peoples
title_short The museums of Buenos Aires last frontier and their narrative about indigenous peoples
title_full The museums of Buenos Aires last frontier and their narrative about indigenous peoples
title_fullStr The museums of Buenos Aires last frontier and their narrative about indigenous peoples
title_full_unstemmed The museums of Buenos Aires last frontier and their narrative about indigenous peoples
title_sort museums of buenos aires last frontier and their narrative about indigenous peoples
description In this paper we analyze the hegemonic narrative about the indigenous peoples which are in the museums of the former military commands, based on the framework of War Minister Adolfo Alsina’s strategy of advancing the frontier. These commands have become cities located in an area we call the last frontier of Buenos Aires, which most significant brand, the Alsina trench, would be established as the ultimate limit against the indigenous societies and the prelude to military campaigns known as the Conquest of the Desert (1879-1885). This regional space currently has a number of historical museums that make up a story about the indigenous peoples, the military campaigns undertaken for their submission, and about the local and national origin. Discussed here are the Puan and Trenque Lauquen cases, with special emphasis on the analysis of historical accounts that museums exhibit and have managed to crystallize in the collective imagination, as well as those topics never considered, among which the submission and subsequent trajectories of the aborigines of the region become the most notable example.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2013
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/5506
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first_indexed 2024-09-03T20:02:02Z
last_indexed 2025-03-27T05:33:59Z
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