How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930)

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How does one build a history of publishing in the absence of a descriptive, serial or qualitative prehistory? The question characterizes the starting point of all inquiry focusing the ancient world of cordobean booklet, books and magazines; an effort strained between meager local precedents and soph...

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Autor principal: Agüero, Ana Clarisa
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2008
Materias:
edición
fábrica del autor
contacto cultural
ciudades
nación
publishing
the making of the author
cultural contact
cities
nation
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/5400
Aporte de:
Revista del Museo de Antropología de Universidad Nacional de Córdoba
id I10-R372-article-5400
record_format ojs
spelling I10-R372-article-54002024-11-04T18:07:56Z How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930) Cómo se hace un autor. Acerca del contacto cultural entre ciudades (Córdoba / Buenos Aires, 1880-1930) Agüero, Ana Clarisa edición fábrica del autor contacto cultural ciudades nación publishing the making of the author cultural contact cities nation How does one build a history of publishing in the absence of a descriptive, serial or qualitative prehistory? The question characterizes the starting point of all inquiry focusing the ancient world of cordobean booklet, books and magazines; an effort strained between meager local precedents and sophisticated external stimuli. Been that the case, there is no other way than simultaneous elaboration of large maps of the evolution and successive states of that world, and bounded and intensive advances on specially representative or significant cases. Such an advance has begun to clear the instances and modalities of realization of the printed thing in the turn of the century, while throwing a light its heteronomous character. In fact, from the writing stage until the moment of the exhibition in the shopwindows in the form of book, any editorial fact that could be pointed out regarding Córdoba is as much local as porteño or European and should, consequently, be considered on scale adequate to the territoriality of each cultural contact. The making of the author, phenomenon highlighted by the relational consideration and topic of the present article, allows us to appreciate in a very clear way the postulated heteronomy. ¿Cómo hacer una historia de la edición en ausencia de su prehistoria descriptiva, serial o cualitativa? La pregunta caracteriza el punto de partida de toda indagación cifrada en el antiguo mundo de folletos, libros y revistas cordobeses; esfuerzo tensado entre magros antecedentes locales y sofisticados estímulos externos. Así las cosas, parece no haber otro modo de proceder que mediante la elaboración simultánea de grandes mapas de la evolución y los sucesivos estados de ese mundo y acotados avances intensivos sobre casos especialmente representativos o significativos. Un avance de ese tipo ha comenzando a despejar las instancias y modalidades de realización de lo impreso en el giro de siglo, a la vez que ha puesto de relieve su carácter altamente heterónomo. En efecto, desde la escritura de textos hasta su exhibición en las vidrieras bajo la forma de libro, todo lo que de editorial pueda señalarse en Córdoba es tanto local cuanto porteño o europeo y debe, consecuentemente, ser pensado en una escala adecuada a la territorialidad de cada contacto cultural. La fábrica del autor, uno de los fenómenos que la consideración relacional vuelve notable y tema del presente artículo, permite apreciar de manera muy clara la postulada heteronomía. Facultad de Filosofía y Humanidades. Museo de Antropología 2008-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/5400 10.31048/1852.4826.v1.n0.5400 Revista del Museo de Antropología; Vol. 1 No. 1 (2008); 115-120 Revista del Museo de Antropología; Vol. 1 Núm. 1 (2008); 115-120 Revista del Museo de Antropología; v. 1 n. 1 (2008); 115-120 1852-4826 1852-060X 10.31048/1852.4826.v1.n0 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/5400/5844 Derechos de autor 1969 Ana Clarisa Agüero
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-372
container_title_str Revista del Museo de Antropología
language Español
format Artículo revista
topic edición
fábrica del autor
contacto cultural
ciudades
nación
publishing
the making of the author
cultural contact
cities
nation
spellingShingle edición
fábrica del autor
contacto cultural
ciudades
nación
publishing
the making of the author
cultural contact
cities
nation
Agüero, Ana Clarisa
How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930)
topic_facet edición
fábrica del autor
contacto cultural
ciudades
nación
publishing
the making of the author
cultural contact
cities
nation
author Agüero, Ana Clarisa
author_facet Agüero, Ana Clarisa
author_sort Agüero, Ana Clarisa
title How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930)
title_short How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930)
title_full How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930)
title_fullStr How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930)
title_full_unstemmed How an author becomes. About the cultural contact between cities (Córdoba / Buenos Aires, 1880-1930)
title_sort how an author becomes. about the cultural contact between cities (córdoba / buenos aires, 1880-1930)
description How does one build a history of publishing in the absence of a descriptive, serial or qualitative prehistory? The question characterizes the starting point of all inquiry focusing the ancient world of cordobean booklet, books and magazines; an effort strained between meager local precedents and sophisticated external stimuli. Been that the case, there is no other way than simultaneous elaboration of large maps of the evolution and successive states of that world, and bounded and intensive advances on specially representative or significant cases. Such an advance has begun to clear the instances and modalities of realization of the printed thing in the turn of the century, while throwing a light its heteronomous character. In fact, from the writing stage until the moment of the exhibition in the shopwindows in the form of book, any editorial fact that could be pointed out regarding Córdoba is as much local as porteño or European and should, consequently, be considered on scale adequate to the territoriality of each cultural contact. The making of the author, phenomenon highlighted by the relational consideration and topic of the present article, allows us to appreciate in a very clear way the postulated heteronomy.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2008
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/5400
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first_indexed 2024-09-03T20:01:44Z
last_indexed 2025-03-27T05:33:38Z
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