Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP)

The rock art repertoire of Cerro Colorado presents certain motifs that give specificity to the archaeological site located in the Sierras del Norte (Córdoba, Argentina). One of these is the Andean condor (Vultur gryphus), particular not only because it is not recorded in any of the rock art landscap...

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Autores principales: Recalde, Andrea, Gordillo, Sandra
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2022
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/36099
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id I10-R372-article-36099
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-372
container_title_str Revista del Museo de Antropología
language Español
format Artículo revista
topic Rock art
Andean condor
Identity
Late Prehispanic Period
Central Argentina
Arte rupestre
Cóndor andino
Identidad
Período Prehispánico Tardío
Centro de Argentina
Arte rupestre
Cóndor andino
Identidade
Período Pré-Hispânico tardio
Argentina Central
spellingShingle Rock art
Andean condor
Identity
Late Prehispanic Period
Central Argentina
Arte rupestre
Cóndor andino
Identidad
Período Prehispánico Tardío
Centro de Argentina
Arte rupestre
Cóndor andino
Identidade
Período Pré-Hispânico tardio
Argentina Central
Recalde, Andrea
Gordillo, Sandra
Recalde, Andrea
Gordillo, Sandra
Recalde, Andrea
Gordillo, Sandra
Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP)
topic_facet Rock art
Andean condor
Identity
Late Prehispanic Period
Central Argentina
Arte rupestre
Cóndor andino
Identidad
Período Prehispánico Tardío
Centro de Argentina
Arte rupestre
Cóndor andino
Identidade
Período Pré-Hispânico tardio
Argentina Central
author Recalde, Andrea
Gordillo, Sandra
Recalde, Andrea
Gordillo, Sandra
Recalde, Andrea
Gordillo, Sandra
author_facet Recalde, Andrea
Gordillo, Sandra
Recalde, Andrea
Gordillo, Sandra
Recalde, Andrea
Gordillo, Sandra
author_sort Recalde, Andrea
title Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP)
title_short Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP)
title_full Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP)
title_fullStr Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP)
title_full_unstemmed Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP)
title_sort condors in the rock art repertoire of cerro colorado (sierras del norte, córdoba). analysis of their role in the social context of the late pre-hispanic period (ca. 1200 - 450 bp)
description The rock art repertoire of Cerro Colorado presents certain motifs that give specificity to the archaeological site located in the Sierras del Norte (Córdoba, Argentina). One of these is the Andean condor (Vultur gryphus), particular not only because it is not recorded in any of the rock art landscapes of the Sierras Centrales region, but also because this bird does not have permanent roosts or nesting areas in the locality of Cerro Colorado and its presence is only occasional. In order to analyse this materiality in the rock art repertoire, we propose a methodology of analysis that includes morphological features of condors and other cathartids (e.g. head, neck, crest, wings, tail, legs) that are complemented with other variables related to the resolution of each representation (e.g. design, colour, relationship with other motifs, size). The data obtained by the conjunction of these two lines allow us to investigate the understanding of the inclusion of the condor during the Late Pre-Hispanic Period, as a feature that reinforces the bonds of belonging and identity through the link to the local landscape in a framework of growing social tension.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2022
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/36099
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first_indexed 2024-09-03T20:03:16Z
last_indexed 2025-03-27T05:34:53Z
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spelling I10-R372-article-360992024-11-04T18:59:52Z Condors in the rock art repertoire of Cerro Colorado (Sierras del Norte, Córdoba). Analysis of their role in the social context of the Late Pre-Hispanic Period (ca. 1200 - 450 BP) Cóndores en el repertorio rupestre de Cerro Colorado (Sierras del Norte, Córdoba). Análisis de su rol en el contexto social del Período Prehispánico Tardío (ca. 1200 – 450 AP) Condores no repertório de arte rupestre do Cerro Colorado (Sierras del Norte, Córdoba). Análise de seu papel no contexto social do Período Pré-Hispânico tardio (ca. 1200 - 450 BP) Recalde, Andrea Gordillo, Sandra Recalde, Andrea Gordillo, Sandra Recalde, Andrea Gordillo, Sandra Rock art Andean condor Identity Late Prehispanic Period Central Argentina Arte rupestre Cóndor andino Identidad Período Prehispánico Tardío Centro de Argentina Arte rupestre Cóndor andino Identidade Período Pré-Hispânico tardio Argentina Central The rock art repertoire of Cerro Colorado presents certain motifs that give specificity to the archaeological site located in the Sierras del Norte (Córdoba, Argentina). One of these is the Andean condor (Vultur gryphus), particular not only because it is not recorded in any of the rock art landscapes of the Sierras Centrales region, but also because this bird does not have permanent roosts or nesting areas in the locality of Cerro Colorado and its presence is only occasional. In order to analyse this materiality in the rock art repertoire, we propose a methodology of analysis that includes morphological features of condors and other cathartids (e.g. head, neck, crest, wings, tail, legs) that are complemented with other variables related to the resolution of each representation (e.g. design, colour, relationship with other motifs, size). The data obtained by the conjunction of these two lines allow us to investigate the understanding of the inclusion of the condor during the Late Pre-Hispanic Period, as a feature that reinforces the bonds of belonging and identity through the link to the local landscape in a framework of growing social tension. El repertorio rupestre de Cerro Colorado presenta determinados motivos que le otorgan especificidad a la localidad arqueológica ubicada en las Sierras del Norte (Córdoba, Argentina). Uno de estos es el cóndor andino (Vultur gryphus), particular no solo porque no se registra en otros paisajes rupestres de la región de Sierras Centrales, sino también porque esta ave no cuenta con dormideros permanentes ni áreas de anidación en la localidad de Cerro Colorado y su presencia es solo ocasional. Para poder analizar esta materialidad en el repertorio rupestre proponemos una metodología de análisis que incluye rasgos morfológicos de cóndores y otros catártidos (v.gr. cabeza, cuello, cresta, alas, cola, patas) que se complementan con otras variables vinculadas con la resolución de cada representación (v.gr. diseño, color, relación con otros motivos, tamaño). Los datos obtenidos por la conjunción de estas dos líneas nos permiten indagar en la comprensión de la inclusión del cóndor durante el Período Prehispánico Tardío, como un rasgo que refuerza los lazos de pertenencia e identidad por medio de la vinculación al paisaje local en un marco de tensión social creciente. O repertório de arte rupestre do Cerro Colorado apresenta certos motivos que dão especificidade ao sítio arqueológico localizado nas Serras do Norte (Córdoba, Argentina). Uma delas é o condor andino (Vultur gryphus), especialmente não só porque não está registrado em outras paisagens de arte rupestre na região das Serras Centrais, mas também porque esta ave não tem poleiros permanentes ou áreas de nidificação na localidade de Cerro Colorado e sua presença é apenas ocasional. A fim de analisar esta materialidade no repertório de arte rupestre, propomos uma metodologia de análise que inclui características morfológicas de condores e outros cataratas (por exemplo, cabeça, pescoço, crista, asas, cauda, pernas) que são complementadas com outras variáveis relacionadas à resolução de cada representação (por exemplo, design, cor, relação com outros motivos, tamanho). Os dados obtidos pela conjunção destas duas linhas nos permitem investigar o entendimento da inclusão do condor durante o Período Pré-Hispânico Final, como uma característica que reforça os laços de pertencimento e identidade através da ligação à paisagem local em um quadro de crescente tensão social. Facultad de Filosofía y Humanidades. Museo de Antropología 2022-12-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf text/html https://revistas.unc.edu.ar/index.php/antropologia/article/view/36099 10.31048/1852.4826.v15.n3.36099 Revista del Museo de Antropología; Vol. 15 No. 3 (2022); 21-32 Revista del Museo de Antropología; Vol. 15 Núm. 3 (2022); 21-32 Revista del Museo de Antropología; v. 15 n. 3 (2022); 21-32 1852-4826 1852-060X 10.31048/1852.4826.v15.n3 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/36099/40328 https://revistas.unc.edu.ar/index.php/antropologia/article/view/36099/40577 Derechos de autor 2022 Andrea Recalde, Sandra Gordillo https://creativecommons.org/licenses/by-nc-sa/4.0