Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province)
The study of the painted rock art from Bloque 1 del Campo de Bloques 1 and Alero con Manos del Río Chalía is undertaken. Both were documented in lowlands associated to the Tar and San Martin lakes basin (South-Western Santa Cruz province). The characteristics of the sites and the rock art production...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Museo de Antropología
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/antropologia/article/view/19051 |
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I10-R372-article-19051 |
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I10-R372-article-190512024-11-04T18:48:36Z Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province) Pinturas rupestres y comunicación en la cuenca de los lagos Tar y San Martín (provincia de Santa Cruz) Re, Anahí Belardi, Juan Bautista Representaciones rupestres Cuencas bajas Circulación de información Holoceno tardío Patagonia meridional Rock art Lowland basins Information exchange Late Holocene Southern Patagonia The study of the painted rock art from Bloque 1 del Campo de Bloques 1 and Alero con Manos del Río Chalía is undertaken. Both were documented in lowlands associated to the Tar and San Martin lakes basin (South-Western Santa Cruz province). The characteristics of the sites and the rock art production sequence are summarized. Sites are contextualized within general data on regional landscape use as well as with the information from other rock art sites located at different altitudes in nearby regions. The analysis indicates a low density of rock art motifs, together with the exclusive use of painting and a low diversity of motifs in the lowlands associated with the Tar and San Martin lakes basin. All these characteristics differ from adjoining areas. Hence, the study of this rock art enables the identification of particularities of the lowlands and the evaluation of, the ranking of these areas and the dynamic of information circulation in the past. Se aborda el análisis de las representaciones rupestres de los sitios Bloque 1 del Campo de Bloques 1 y Alero con Manos del Río Chalía, relevados en los sectores bajos asociados a la cuenca de los lagos Tar y San Martín (sudoeste de la provincia de Santa Cruz). Aquí se resumen las particularidades de ambos sitios y se propone una secuencia de ejecución de los motivos. Asimismo, los sitios son contextualizados con la información general sobre uso del espacio regional y con los datos disponibles sobre otros sitios con representaciones rupestres ubicados en las cercanías y a distintas altitudes. El análisis indica que en los sectores bajos asociados a la cuenca de los lagos Tar y San Martín se evidencia una baja densidad de representaciones rupestres, el uso exclusivo de la pintura y una baja diversidad de motivos que se diferencia de lo observado en espacios lindantes. De este modo, el estudio integrado de estas representaciones permite reconocer particularidades de los sectores bajos y evaluar la jerarquización de los espacios y la dinámica de circulación de información, principalmente durante el Holoceno tardío. Facultad de Filosofía y Humanidades. Museo de Antropología 2019-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Investigación básica; Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/19051 10.31048/1852.4826.v12.n1.19051 Revista del Museo de Antropología; Vol. 12 No. 1 (2019); 73-84 Revista del Museo de Antropología; Vol. 12 Núm. 1 (2019); 73-84 Revista del Museo de Antropología; v. 12 n. 1 (2019); 73-84 1852-4826 1852-060X 10.31048/1852.4826.v12.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/19051/23583 Derechos de autor 2019 Anahí Re y Juan Bautista Belardi |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-372 |
| container_title_str |
Revista del Museo de Antropología |
| language |
Español |
| format |
Artículo revista |
| topic |
Representaciones rupestres Cuencas bajas Circulación de información Holoceno tardío Patagonia meridional Rock art Lowland basins Information exchange Late Holocene Southern Patagonia |
| spellingShingle |
Representaciones rupestres Cuencas bajas Circulación de información Holoceno tardío Patagonia meridional Rock art Lowland basins Information exchange Late Holocene Southern Patagonia Re, Anahí Belardi, Juan Bautista Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province) |
| topic_facet |
Representaciones rupestres Cuencas bajas Circulación de información Holoceno tardío Patagonia meridional Rock art Lowland basins Information exchange Late Holocene Southern Patagonia |
| author |
Re, Anahí Belardi, Juan Bautista |
| author_facet |
Re, Anahí Belardi, Juan Bautista |
| author_sort |
Re, Anahí |
| title |
Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province) |
| title_short |
Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province) |
| title_full |
Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province) |
| title_fullStr |
Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province) |
| title_full_unstemmed |
Rock paintings and communication in the Tar and San Martin lakes basin (Santa Cruz province) |
| title_sort |
rock paintings and communication in the tar and san martin lakes basin (santa cruz province) |
| description |
The study of the painted rock art from Bloque 1 del Campo de Bloques 1 and Alero con Manos del Río Chalía is undertaken. Both were documented in lowlands associated to the Tar and San Martin lakes basin (South-Western Santa Cruz province). The characteristics of the sites and the rock art production sequence are summarized. Sites are contextualized within general data on regional landscape use as well as with the information from other rock art sites located at different altitudes in nearby regions. The analysis indicates a low density of rock art motifs, together with the exclusive use of painting and a low diversity of motifs in the lowlands associated with the Tar and San Martin lakes basin. All these characteristics differ from adjoining areas. Hence, the study of this rock art enables the identification of particularities of the lowlands and the evaluation of, the ranking of these areas and the dynamic of information circulation in the past. |
| publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/19051 |
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2024-09-03T20:01:22Z |
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2025-03-27T05:32:47Z |
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