Drawings of observation in the architecture workshop. Between subjective expression and objective representation

We intend to systematize a series of teaching experiences, related to develop a compressive field in architectural drawing, usually known as sketch. In a more theoretical-pedagogical sense, it is sought that the students could explore and transit in a sensitive, but graduated and continuous way betw...

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Autor principal: Cañete Islas, Omar
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Arquitectura, Urbanismo y Diseño 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/pensu/article/view/22659
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id I10-R371-article-22659
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spelling I10-R371-article-226592018-12-12T09:18:44Z Drawings of observation in the architecture workshop. Between subjective expression and objective representation Dibujos de observación en el taller de arquitectura. Entra la expresión subjetiva y la representación objetual Cañete Islas, Omar Sistematización modelos escultóricos expresión-composición rasgos-gestos Systematization sculptural models expression-composition features-gestures We intend to systematize a series of teaching experiences, related to develop a compressive field in architectural drawing, usually known as sketch. In a more theoretical-pedagogical sense, it is sought that the students could explore and transit in a sensitive, but graduated and continuous way between two planes: a) Individual expression, and b) a formal composition. Although their differences (objective v/s subjective point of view) both aspects are part from a same generative, dynamic and complex order Se pretende sistematizar una serie de experiencias docentes, que buscan acotar un campo comprensivo respecto del dibujo de observación arquitectural, usualmente conocido como croquis. En un sentido más teórico-pedagógico, se busca que los alumnos puedan explorar y transitar de modo sensitivo, pero graduado y continuo entre dos planos: a) la expresión subjetiva y b) la composición formal. Pese a sus diferencias (subjetivo vs objetivo) ambos planos los asumiremos desde un orden generativo, dinámico y complejo. Facultad de Arquitectura, Urbanismo y Diseño 2018-12-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/pensu/article/view/22659 10.59047/2469.0724.v4.n4.22659 PENSUM; Vol. 4 Núm. 4 (2018) 2469-0724 10.59047/2469.0724.v4.n4 spa https://revistas.unc.edu.ar/index.php/pensu/article/view/22659/22283 Derechos de autor 2018 Omar Cañete Islas
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-371
container_title_str PENSUM
language Español
format Artículo revista
topic Sistematización
modelos escultóricos
expresión-composición
rasgos-gestos
Systematization
sculptural models
expression-composition
features-gestures
spellingShingle Sistematización
modelos escultóricos
expresión-composición
rasgos-gestos
Systematization
sculptural models
expression-composition
features-gestures
Cañete Islas, Omar
Drawings of observation in the architecture workshop. Between subjective expression and objective representation
topic_facet Sistematización
modelos escultóricos
expresión-composición
rasgos-gestos
Systematization
sculptural models
expression-composition
features-gestures
author Cañete Islas, Omar
author_facet Cañete Islas, Omar
author_sort Cañete Islas, Omar
title Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_short Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_full Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_fullStr Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_full_unstemmed Drawings of observation in the architecture workshop. Between subjective expression and objective representation
title_sort drawings of observation in the architecture workshop. between subjective expression and objective representation
description We intend to systematize a series of teaching experiences, related to develop a compressive field in architectural drawing, usually known as sketch. In a more theoretical-pedagogical sense, it is sought that the students could explore and transit in a sensitive, but graduated and continuous way between two planes: a) Individual expression, and b) a formal composition. Although their differences (objective v/s subjective point of view) both aspects are part from a same generative, dynamic and complex order
publisher Facultad de Arquitectura, Urbanismo y Diseño
publishDate 2018
url https://revistas.unc.edu.ar/index.php/pensu/article/view/22659
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first_indexed 2024-09-03T23:00:28Z
last_indexed 2024-09-03T23:00:28Z
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