Videoactivism 2.0: riots, audiovisual production and free culture?

Internet video production linked to the recent wave of protests post Arab Spring was based on audiovisual production and distribution models that offer an alternative to comercial models. These means of production and distribution –collective or anonymous authorship, use of copyleft licenses, free o...

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Detalles Bibliográficos
Autor principal: Vila, Nuria
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
Materias:
Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8578
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-8578
record_format ojs
spelling I10-R367-article-85782020-11-01T03:56:58Z Videoactivism 2.0: riots, audiovisual production and free culture? Videoactivismo 2.0:revueltas, producción audiovisual y cultura libre? Vila, Nuria Videoactivism Political Film New Media Free Culture Social Networks Videoactivismo Cine Político Nuevos Medios Cultura Libre Redes Sociales Internet video production linked to the recent wave of protests post Arab Spring was based on audiovisual production and distribution models that offer an alternative to comercial models. These means of production and distribution –collective or anonymous authorship, use of copyleft licenses, free online distribution– although not new, have undergone a massive explosion in recent years. These characteristics alongside with the videos´ aesthetics –collage, appropriation of material– are essential constituents of their political commitment. La producción de video en internet vinculada con la reciente ola de protestas post-primavera árabe ofrece modelos alternativos de producción y distribución del audiovisual, distintos a los comerciales. Estas formas de producción y distribución –autoría colectiva o anónima, uso de licencias copyleft, visualización libre– aunque no son nuevas, sí han vivido una explosión masiva en años recientes. Tanto estos rasgos como la propia estética de los vídeos –collage, apropiación de materiales– son constitutivos esenciales de su compromiso político.  Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8578 10.55442/tomauno.n1.2012.8578 Toma Uno; No. 1 (2012): La representación de la realidad; 167-176 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 167-176 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8578/9443
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
spellingShingle Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
Vila, Nuria
Videoactivism 2.0: riots, audiovisual production and free culture?
topic_facet Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
author Vila, Nuria
author_facet Vila, Nuria
author_sort Vila, Nuria
title Videoactivism 2.0: riots, audiovisual production and free culture?
title_short Videoactivism 2.0: riots, audiovisual production and free culture?
title_full Videoactivism 2.0: riots, audiovisual production and free culture?
title_fullStr Videoactivism 2.0: riots, audiovisual production and free culture?
title_full_unstemmed Videoactivism 2.0: riots, audiovisual production and free culture?
title_sort videoactivism 2.0: riots, audiovisual production and free culture?
description Internet video production linked to the recent wave of protests post Arab Spring was based on audiovisual production and distribution models that offer an alternative to comercial models. These means of production and distribution –collective or anonymous authorship, use of copyleft licenses, free online distribution– although not new, have undergone a massive explosion in recent years. These characteristics alongside with the videos´ aesthetics –collage, appropriation of material– are essential constituents of their political commitment.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8578
work_keys_str_mv AT vilanuria videoactivism20riotsaudiovisualproductionandfreeculture
AT vilanuria videoactivismo20revueltasproduccionaudiovisualyculturalibre
first_indexed 2024-09-03T22:57:27Z
last_indexed 2024-09-03T22:57:27Z
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