From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema

Through this article we intend to study the way Brazilian tropicalist cinema represented, in a historical period convulsed by political changes associated to a new outbreak of dictatorship and the beginning of a process of redemocratization, the imaginary present in society about urban space. We wil...

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Detalles Bibliográficos
Autor principal: Flores, Silvana
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
Materias:
Cine e Identidad
Sociedad Brasileña
Imaginario en Cine
Cine Brasileño
Cinema & Identity
Brazilian Society
Imaginary in Film
Brazilian Cinema
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8573
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-8573
record_format ojs
spelling I10-R367-article-85732020-11-01T03:56:58Z From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema Del espacio originario a la ciudad cosmopolita: la representación de la identidad nacional en el cine tropicalista brasileño Flores, Silvana Cine e Identidad Sociedad Brasileña Imaginario en Cine Cine Brasileño Cinema & Identity Brazilian Society Imaginary in Film Brazilian Cinema Through this article we intend to study the way Brazilian tropicalist cinema represented, in a historical period convulsed by political changes associated to a new outbreak of dictatorship and the beginning of a process of redemocratization, the imaginary present in society about urban space. We will establish a comparative analysis of two paradigmatic films of Cinema Novo movement, that represent the start and the end of its last phase (named canibalist or tropicalist). We refer to Macunaíma (Joaquim Pedro de Andrade, 1969) and Bye Bye Brasil (Carlos Diegues, 1979), that install a debate about the diverse significations that the dialog of different territories (country, forest and city) produces in the elaboration of a conception and a discourse about national identity. KEY WORDS:  A través del presente artículo nos proponemos estudiar la manera en que el cine tropicalista brasileño representó, en un período histórico convulsionado por cambios políticos asociados al recrudecimiento de la dictadura y al comienzo de un proceso de redemocratización, el imaginario presente en la sociedad acerca del espacio urbano. Estableceremos un análisis comparativo entre dos films paradigmáticos del movimiento Cinema Novo, que representan el inicio y el fin de su última fase (denominada canibalista o tropicalista): Nos referimos a Macunaíma (Joaquim Pedro de Andrade, 1969) y Bye Bye Brasil (Carlos Diegues, 1979). Estas películasinstalan el debate acerca de las diversas significaciones que la puesta en diálogo de diferentes territorios (campo, selva y ciudad) producen en la elaboración de una determinadaconcepción y discurso sobre la identidad nacional. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8573 10.55442/tomauno.n1.2012.8573 Toma Uno; No. 1 (2012): La representación de la realidad; 103-114 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 103-114 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8573/9438
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Cine e Identidad
Sociedad Brasileña
Imaginario en Cine
Cine Brasileño
Cinema & Identity
Brazilian Society
Imaginary in Film
Brazilian Cinema
spellingShingle Cine e Identidad
Sociedad Brasileña
Imaginario en Cine
Cine Brasileño
Cinema & Identity
Brazilian Society
Imaginary in Film
Brazilian Cinema
Flores, Silvana
From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema
topic_facet Cine e Identidad
Sociedad Brasileña
Imaginario en Cine
Cine Brasileño
Cinema & Identity
Brazilian Society
Imaginary in Film
Brazilian Cinema
author Flores, Silvana
author_facet Flores, Silvana
author_sort Flores, Silvana
title From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema
title_short From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema
title_full From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema
title_fullStr From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema
title_full_unstemmed From original space to the cosmopolitan city: the representation of national identity in Brazilian Tropicalista Cinema
title_sort from original space to the cosmopolitan city: the representation of national identity in brazilian tropicalista cinema
description Through this article we intend to study the way Brazilian tropicalist cinema represented, in a historical period convulsed by political changes associated to a new outbreak of dictatorship and the beginning of a process of redemocratization, the imaginary present in society about urban space. We will establish a comparative analysis of two paradigmatic films of Cinema Novo movement, that represent the start and the end of its last phase (named canibalist or tropicalist). We refer to Macunaíma (Joaquim Pedro de Andrade, 1969) and Bye Bye Brasil (Carlos Diegues, 1979), that install a debate about the diverse significations that the dialog of different territories (country, forest and city) produces in the elaboration of a conception and a discourse about national identity. KEY WORDS: 
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8573
work_keys_str_mv AT floressilvana fromoriginalspacetothecosmopolitancitytherepresentationofnationalidentityinbraziliantropicalistacinema
AT floressilvana delespaciooriginarioalaciudadcosmopolitalarepresentaciondelaidentidadnacionalenelcinetropicalistabrasileno
first_indexed 2024-09-03T22:57:26Z
last_indexed 2024-09-03T22:57:26Z
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