Propaganda documentary
EDITOR´S ABSTRACTIn this text, Enrique Lacolla, contrasts two forms of propaganda documentary focusing not only in its content but in the different uses of cinematographic language that each of them implies. The author proposes that, through analysis of this kind, it is possible to appreciate not on...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2012
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/8565 |
| Aporte de: |
| Sumario: | EDITOR´S ABSTRACTIn this text, Enrique Lacolla, contrasts two forms of propaganda documentary focusing not only in its content but in the different uses of cinematographic language that each of them implies. The author proposes that, through analysis of this kind, it is possible to appreciate not only what images displayed but also the cultural and ideological guidelines that inform them and connect them with their time.We thank the author for his permission to publish this article. |
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