Propaganda documentary

EDITOR´S ABSTRACTIn this text, Enrique Lacolla, contrasts two forms of propaganda documentary focusing not only in its content but in the different uses of cinematographic language that each of them implies. The author proposes that, through analysis of this kind, it is possible to appreciate not on...

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Autor principal: Lacolla, Enrique
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
Materias:
Documental de propaganda
Riefenstahl
Ivens
Propaganda Documentary
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8565
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-8565
record_format ojs
spelling I10-R367-article-85652020-11-01T03:56:58Z Propaganda documentary El documental de propaganda Lacolla, Enrique Documental de propaganda Riefenstahl Ivens Propaganda Documentary Riefenstahl Ivens EDITOR´S ABSTRACTIn this text, Enrique Lacolla, contrasts two forms of propaganda documentary focusing not only in its content but in the different uses of cinematographic language that each of them implies. The author proposes that, through analysis of this kind, it is possible to appreciate not only what images displayed but also the cultural and ideological guidelines that inform them and connect them with their time.We thank the author for his permission to publish this article. RESUMEN DE LOS EDITORESEn este texto, Enrique Lacolla, contrapone dos formas del documental de propaganda centrándose no sólo en su contenido sino en los distintos usos del lenguaje cinematográfico que cada una de ellas implica. El autor propone que, a través de análisis de este tipo, es posible apreciar no sólo lo que las imágenes exponen sino también los lineamientos culturales e ideológicos que las informan y las conectan con su época.Agradecemos al autor la autorización para publicar este artículo. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8565 10.55442/tomauno.n1.2012.8565 Toma Uno; No. 1 (2012): La representación de la realidad; 13-18 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 13-18 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8565/9430
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Documental de propaganda
Riefenstahl
Ivens
Propaganda Documentary
Riefenstahl
Ivens
spellingShingle Documental de propaganda
Riefenstahl
Ivens
Propaganda Documentary
Riefenstahl
Ivens
Lacolla, Enrique
Propaganda documentary
topic_facet Documental de propaganda
Riefenstahl
Ivens
Propaganda Documentary
Riefenstahl
Ivens
author Lacolla, Enrique
author_facet Lacolla, Enrique
author_sort Lacolla, Enrique
title Propaganda documentary
title_short Propaganda documentary
title_full Propaganda documentary
title_fullStr Propaganda documentary
title_full_unstemmed Propaganda documentary
title_sort propaganda documentary
description EDITOR´S ABSTRACTIn this text, Enrique Lacolla, contrasts two forms of propaganda documentary focusing not only in its content but in the different uses of cinematographic language that each of them implies. The author proposes that, through analysis of this kind, it is possible to appreciate not only what images displayed but also the cultural and ideological guidelines that inform them and connect them with their time.We thank the author for his permission to publish this article.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8565
work_keys_str_mv AT lacollaenrique propagandadocumentary
AT lacollaenrique eldocumentaldepropaganda
first_indexed 2024-09-03T22:57:24Z
last_indexed 2024-09-03T22:57:24Z
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