Retrospectives of La Plata cinema: politics and aesthetics in three films

This paper offers a review of three films produced in the School of Cinematography of La Plata, Buenos Aires, which was one of the pioneers of Latin America. At the same time, the text brings up certain ideas taken from the manifesto Hacia un tercer cine (1969) by Octavio Getino and Fernando “Pino”...

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Autor principal: Velis, Juan Manuel
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes, Universidad Nacional de Córdoba 2023
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/42810
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spelling I10-R367-article-428102024-11-24T18:51:36Z Retrospectives of La Plata cinema: politics and aesthetics in three films Retrospectivas del cine platense: estética y política en tres obras de la vieja Escuela Velis, Juan Manuel School of Cinematography Aesthetic Politics Tercer Cine Documentary Carrera de cinematografía Estética Política Tercer Cine Documental This paper offers a review of three films produced in the School of Cinematography of La Plata, Buenos Aires, which was one of the pioneers of Latin America. At the same time, the text brings up certain ideas taken from the manifesto Hacia un tercer cine (1969) by Octavio Getino and Fernando “Pino” Solanas, and the concepts of politics and aesthetics. Thirty years after the reopening of the career in 1993, which was declared extinct in 1978 for the dictatorship, the need to recover and some of the productions developed in those classrooms is strengthened. They’re fundamental films to revitalize the historical conscience in an ethical and political sense as well as expressive; enabling at the same time new interpretations in relation to the commemoration of forty years of democracy. El presente artículo ofrece una remisión a tres producciones cinematográficas de la vieja carrera de Cinematografía de la ciudad de La Plata (Buenos Aires), a la luz de las nociones de estética y política, y sus respectivos entrecruzamientos conceptuales, trazando a su vez un puente hacia ciertas ideas extraídas del manifiesto Hacia un tercer cine (1969) de Octavio Getino y Fernando “Pino” Solanas. A treinta años de la reapertura de la carrera en 1993, declarada extinta hacia 1978, en medio del desguace cultural impulsado por el último gobierno de facto, se potencia la necesidad de recuperar y rememorar algunas de las producciones gestadas desde esas aulas. Consideramos que se trata de películas fundamentales para revitalizar la conciencia histórica, en un sentido tanto ético y político como expresivo, habilitando a la vez nuevas lecturas en el contexto de conmemoración de los cuarenta años de democracia. Editorial de la Facultad de Artes, Universidad Nacional de Córdoba 2023-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/42810 10.55442/tomauno.n11.2023.42810 Toma Uno; No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales; 47-64 TOMA UNO; Núm. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales; 47-64 2250-4524 2313-9692 10.55442/tomauno.n11.2023 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/42810/42952 https://revistas.unc.edu.ar/index.php/toma1/article/view/42810/42953 https://revistas.unc.edu.ar/index.php/toma1/article/view/42810/42954 Derechos de autor 2023 Juan Manuel Velis http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic School of Cinematography
Aesthetic
Politics
Tercer Cine
Documentary
Carrera de cinematografía
Estética
Política
Tercer Cine
Documental
spellingShingle School of Cinematography
Aesthetic
Politics
Tercer Cine
Documentary
Carrera de cinematografía
Estética
Política
Tercer Cine
Documental
Velis, Juan Manuel
Retrospectives of La Plata cinema: politics and aesthetics in three films
topic_facet School of Cinematography
Aesthetic
Politics
Tercer Cine
Documentary
Carrera de cinematografía
Estética
Política
Tercer Cine
Documental
author Velis, Juan Manuel
author_facet Velis, Juan Manuel
author_sort Velis, Juan Manuel
title Retrospectives of La Plata cinema: politics and aesthetics in three films
title_short Retrospectives of La Plata cinema: politics and aesthetics in three films
title_full Retrospectives of La Plata cinema: politics and aesthetics in three films
title_fullStr Retrospectives of La Plata cinema: politics and aesthetics in three films
title_full_unstemmed Retrospectives of La Plata cinema: politics and aesthetics in three films
title_sort retrospectives of la plata cinema: politics and aesthetics in three films
description This paper offers a review of three films produced in the School of Cinematography of La Plata, Buenos Aires, which was one of the pioneers of Latin America. At the same time, the text brings up certain ideas taken from the manifesto Hacia un tercer cine (1969) by Octavio Getino and Fernando “Pino” Solanas, and the concepts of politics and aesthetics. Thirty years after the reopening of the career in 1993, which was declared extinct in 1978 for the dictatorship, the need to recover and some of the productions developed in those classrooms is strengthened. They’re fundamental films to revitalize the historical conscience in an ethical and political sense as well as expressive; enabling at the same time new interpretations in relation to the commemoration of forty years of democracy.
publisher Editorial de la Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2023
url https://revistas.unc.edu.ar/index.php/toma1/article/view/42810
work_keys_str_mv AT velisjuanmanuel retrospectivesoflaplatacinemapoliticsandaestheticsinthreefilms
AT velisjuanmanuel retrospectivasdelcineplatenseesteticaypoliticaentresobrasdelaviejaescuela
first_indexed 2024-09-03T22:57:20Z
last_indexed 2025-02-05T22:22:16Z
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