Documentary film and the Animated Turn. Ruptures and Continuities

It can be affirmed that in recent years there has been an animated turn in documentary cinema; that is, increasing use of animation to represent reality. This article sets out to problematize this shift based on what at first sight may seem an oxymoron: animation as a cinema of the real. In this dir...

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Autor principal: Zylberman, Lior
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2022
Materias:
Documentary film
animations
mimesis
archives
Película documental
cine de animación
archivos
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/39162
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-39162
record_format ojs
spelling I10-R367-article-391622023-10-31T00:38:10Z Documentary film and the Animated Turn. Ruptures and Continuities El documental y el giro animado. Rupturas y continuidades Zylberman, Lior Documentary film animations mimesis archives Película documental cine de animación mimesis archivos It can be affirmed that in recent years there has been an animated turn in documentary cinema; that is, increasing use of animation to represent reality. This article sets out to problematize this shift based on what at first sight may seem an oxymoron: animation as a cinema of the real. In this direction, we will ask how to understand and determine the animated documentary, what characteristics it has, and what are its expressive possibilities. Finally, if we examine its potential, it is also important to be able to think about its limits. Se puede afirmar que en los últimos años se ha producido en el cine documental un giro animado; es decir, un uso cada vez mayor de la animación para representar la realidad. El presente artículo se propone problematizar dicho giro a partir de lo que a primera vista puede parecer un oxímoron: la animación como cine de lo real. En esa dirección, nos preguntaremos cómo comprender y determinar al documental animado, qué características posee y cuáles son sus posibilidades expresivas. Finalmente, si se examinan sus alcances resulta importante también poder pensar sus límites. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2022-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/39162 10.55442/tomauno.n10.2022.39162 ark:/s22504524/mxnz4srug Toma Uno; No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon TOMA UNO; Núm. 10 (2022): La animación como fenómeno artístico, cultural, social y comunicacional 2250-4524 2313-9692 10.55442/tomauno.n10. ark:/s22504524/8qc9hzlqk spa https://revistas.unc.edu.ar/index.php/toma1/article/view/39162/39203 https://revistas.unc.edu.ar/index.php/toma1/article/view/39162/39204 https://revistas.unc.edu.ar/index.php/toma1/article/view/39162/39205 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Documentary film
animations
mimesis
archives
Película documental
cine de animación
mimesis
archivos
spellingShingle Documentary film
animations
mimesis
archives
Película documental
cine de animación
mimesis
archivos
Zylberman, Lior
Documentary film and the Animated Turn. Ruptures and Continuities
topic_facet Documentary film
animations
mimesis
archives
Película documental
cine de animación
mimesis
archivos
author Zylberman, Lior
author_facet Zylberman, Lior
author_sort Zylberman, Lior
title Documentary film and the Animated Turn. Ruptures and Continuities
title_short Documentary film and the Animated Turn. Ruptures and Continuities
title_full Documentary film and the Animated Turn. Ruptures and Continuities
title_fullStr Documentary film and the Animated Turn. Ruptures and Continuities
title_full_unstemmed Documentary film and the Animated Turn. Ruptures and Continuities
title_sort documentary film and the animated turn. ruptures and continuities
description It can be affirmed that in recent years there has been an animated turn in documentary cinema; that is, increasing use of animation to represent reality. This article sets out to problematize this shift based on what at first sight may seem an oxymoron: animation as a cinema of the real. In this direction, we will ask how to understand and determine the animated documentary, what characteristics it has, and what are its expressive possibilities. Finally, if we examine its potential, it is also important to be able to think about its limits.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2022
url https://revistas.unc.edu.ar/index.php/toma1/article/view/39162
work_keys_str_mv AT zylbermanlior documentaryfilmandtheanimatedturnrupturesandcontinuities
AT zylbermanlior eldocumentalyelgiroanimadorupturasycontinuidades
first_indexed 2024-09-03T22:57:17Z
last_indexed 2024-09-03T22:57:17Z
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