La Ciénaga: a Martelian political view that emphasizes the sound
Lucrecia Martel’s political views focuses both hegemonic representations and subaltern representations made invisible by that social discourse that reproduces common sense. This article will seek to analyze the soundtrack of the film La Ciénaga to account for how it operates when deconstructing esta...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/35791 |
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| Sumario: | Lucrecia Martel’s political views focuses both hegemonic representations and subaltern representations made invisible by that social discourse that reproduces common sense. This article will seek to analyze the soundtrack of the film La Ciénaga to account for how it operates when deconstructing established and predetermined meanings; focusing attention on the perceptual transformations operated by sound and the different levels of meaning production.
These potentialities of sound that filmmaker finds in the sound allow denaturing, making sense slides, through operations (implosion/abduction) in her filmic stories; in them, ways of looking are built that make visible what is not said in social, cultural and political conflicts from differentiated and differentiating matrices. This politics of the view of the filmmaker proposes other ways of knowing and perceiving. |
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