La Ciénaga: a Martelian political view that emphasizes the sound
Lucrecia Martel’s political views focuses both hegemonic representations and subaltern representations made invisible by that social discourse that reproduces common sense. This article will seek to analyze the soundtrack of the film La Ciénaga to account for how it operates when deconstructing esta...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/35791 |
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I10-R367-article-35791 |
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I10-R367-article-357912022-11-15T13:46:28Z La Ciénaga: a Martelian political view that emphasizes the sound La Ciénaga: una mirada política marteliana que pone el énfasis en lo sonoro Echenique, Ana-Inés Lucrecia Martel La Ciénaga sound representations political view Lucrecia Martel La Ciénaga sonido representaciones mirada política Lucrecia Martel’s political views focuses both hegemonic representations and subaltern representations made invisible by that social discourse that reproduces common sense. This article will seek to analyze the soundtrack of the film La Ciénaga to account for how it operates when deconstructing established and predetermined meanings; focusing attention on the perceptual transformations operated by sound and the different levels of meaning production. These potentialities of sound that filmmaker finds in the sound allow denaturing, making sense slides, through operations (implosion/abduction) in her filmic stories; in them, ways of looking are built that make visible what is not said in social, cultural and political conflicts from differentiated and differentiating matrices. This politics of the view of the filmmaker proposes other ways of knowing and perceiving. La mirada política de Lucrecia Martel pone en foco tanto representaciones hegemónicas como también representaciones subalternas invisibilizadas por aquel discurso social que reproduce el sentido común. Este artículo buscará analizar la banda sonora del film La Ciénaga para dar cuenta de cómo ésta opera a la hora de deconstruir sentidos establecidos y prefijados; centrará la atención en las transformaciones perceptivas operadas por el sonido y los distintos niveles de producción de sentido. Las potencialidades del sonido le permiten a la cineasta desnaturalizar, hacer corrimientos de sentido, a través de operaciones (implosión/abducción) en sus relatos fílmicos; en ellos se construyen modos de mirar que visibilizan lo no dicho en los conflictos sociales, culturales y políticos desde matrices diferenciadas y diferenciadoras. Esta política de la mirada de la cineasta propone otros modos de conocer y de percibir. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/35791 10.55442/tomauno.n9.2021.35791 ark:/s22504524/fcx2agff3 Toma Uno; No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts TOMA UNO; Núm. 9 (2021): La política, lo político, las políticas, en el Cine y las Artes audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n9.2021 ark:/s22504524/qoi0z31ty spa https://revistas.unc.edu.ar/index.php/toma1/article/view/35791/36020 https://revistas.unc.edu.ar/index.php/toma1/article/view/35791/36021 https://revistas.unc.edu.ar/index.php/toma1/article/view/35791/36022 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-367 |
| container_title_str |
TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
Lucrecia Martel La Ciénaga sound representations political view Lucrecia Martel La Ciénaga sonido representaciones mirada política |
| spellingShingle |
Lucrecia Martel La Ciénaga sound representations political view Lucrecia Martel La Ciénaga sonido representaciones mirada política Echenique, Ana-Inés La Ciénaga: a Martelian political view that emphasizes the sound |
| topic_facet |
Lucrecia Martel La Ciénaga sound representations political view Lucrecia Martel La Ciénaga sonido representaciones mirada política |
| author |
Echenique, Ana-Inés |
| author_facet |
Echenique, Ana-Inés |
| author_sort |
Echenique, Ana-Inés |
| title |
La Ciénaga: a Martelian political view that emphasizes the sound |
| title_short |
La Ciénaga: a Martelian political view that emphasizes the sound |
| title_full |
La Ciénaga: a Martelian political view that emphasizes the sound |
| title_fullStr |
La Ciénaga: a Martelian political view that emphasizes the sound |
| title_full_unstemmed |
La Ciénaga: a Martelian political view that emphasizes the sound |
| title_sort |
la ciénaga: a martelian political view that emphasizes the sound |
| description |
Lucrecia Martel’s political views focuses both hegemonic representations and subaltern representations made invisible by that social discourse that reproduces common sense. This article will seek to analyze the soundtrack of the film La Ciénaga to account for how it operates when deconstructing established and predetermined meanings; focusing attention on the perceptual transformations operated by sound and the different levels of meaning production.
These potentialities of sound that filmmaker finds in the sound allow denaturing, making sense slides, through operations (implosion/abduction) in her filmic stories; in them, ways of looking are built that make visible what is not said in social, cultural and political conflicts from differentiated and differentiating matrices. This politics of the view of the filmmaker proposes other ways of knowing and perceiving. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/35791 |
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| first_indexed |
2024-09-03T22:57:14Z |
| last_indexed |
2024-09-03T22:57:14Z |
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