The other History: fake documentary and true history
This article establishes a theoretical position that distinguishes between what is called conditional tense documentary and historical fake documentaries. In order to do this, the gap between a statement and the enunciation, and the concept of discursive community, will be the fundamental tools. The...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/35778 |
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I10-R367-article-357782022-11-15T13:46:28Z The other History: fake documentary and true history La otra Historia: el falso documental y la verdadera historia Aguilar Alcalá, Sergio J. documentary fake documentary psychoanalysis discursive community history Documental falso documental psicoanálisis comunidad discursiva historia This article establishes a theoretical position that distinguishes between what is called conditional tense documentary and historical fake documentaries. In order to do this, the gap between a statement and the enunciation, and the concept of discursive community, will be the fundamental tools. Then, analyses of four historical fake documentaries are made. These movies affirm (not conjecture) alternative pasts and presents through the expressive tools of the documentary. This allows us to distinguish between the multiplicity of truths and the affirmation of a truth, the latter being the political project of fake documentary, and the emancipatory potential it has within documentary cinema. En este texto se establece una posición teórica que distingue a lo que se ha llamado documentales en tiempo condicional de los falsos documentales históricos. Para ello, la brecha entre el enunciado y la enunciación, del modo en que la entiende el psicoanálisis, así como el concepto de comunidad discursiva, resultan las herramientas fundamentales. Posteriormente, se analizan cuatro falsos documentales históricos que presentan pasados y presentes alternativos que se afirman (no se conjeturan) a través de las herramientas expresivas del documental. Esto permite establecer una distinción entre la multiplicación de verdades y la afirmación de una verdad, siendo esta segunda la apuesta política del falso documental, y su potencial de emancipación al interior del saber documental. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/35778 10.55442/tomauno.n9.2021.35778 ark:/s22504524/xank6xdmb Toma Uno; No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts TOMA UNO; Núm. 9 (2021): La política, lo político, las políticas, en el Cine y las Artes audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n9.2021 ark:/s22504524/qoi0z31ty spa https://revistas.unc.edu.ar/index.php/toma1/article/view/35778/35992 https://revistas.unc.edu.ar/index.php/toma1/article/view/35778/35938 https://revistas.unc.edu.ar/index.php/toma1/article/view/35778/35939 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
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Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-367 |
| container_title_str |
TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
documentary fake documentary psychoanalysis discursive community history Documental falso documental psicoanálisis comunidad discursiva historia |
| spellingShingle |
documentary fake documentary psychoanalysis discursive community history Documental falso documental psicoanálisis comunidad discursiva historia Aguilar Alcalá, Sergio J. The other History: fake documentary and true history |
| topic_facet |
documentary fake documentary psychoanalysis discursive community history Documental falso documental psicoanálisis comunidad discursiva historia |
| author |
Aguilar Alcalá, Sergio J. |
| author_facet |
Aguilar Alcalá, Sergio J. |
| author_sort |
Aguilar Alcalá, Sergio J. |
| title |
The other History: fake documentary and true history |
| title_short |
The other History: fake documentary and true history |
| title_full |
The other History: fake documentary and true history |
| title_fullStr |
The other History: fake documentary and true history |
| title_full_unstemmed |
The other History: fake documentary and true history |
| title_sort |
other history: fake documentary and true history |
| description |
This article establishes a theoretical position that distinguishes between what is called conditional tense documentary and historical fake documentaries. In order to do this, the gap between a statement and the enunciation, and the concept of discursive community, will be the fundamental tools. Then, analyses of four historical fake documentaries are made. These movies affirm (not conjecture) alternative pasts and presents through the expressive tools of the documentary. This allows us to distinguish between the multiplicity of truths and the affirmation of a truth, the latter being the political project of fake documentary, and the emancipatory potential it has within documentary cinema. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/35778 |
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2024-09-03T22:57:11Z |
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2024-09-03T22:57:11Z |
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