Filmic migrations. Critical analysis of Aufstellung by Harun Farocki

This paper proposes a critical analysis of the film-essay Aufstellung (2005) by the Czech-German director Harun Farocki, through three intertwined points: (1) On a filmic level, it is proposed to think about the reduction of the cultural diversity of Turkish immigrants in post-war Germany in the con...

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Autor principal: Molina, Manuel
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/35658
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id I10-R367-article-35658
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spelling I10-R367-article-356582022-11-15T13:46:28Z Filmic migrations. Critical analysis of Aufstellung by Harun Farocki Migraciones fílmicas. Análisis crítico de Aufstellung de Harun Farocki Molina, Manuel Farocki film essay migration Adorno Farocki film ensayo inmigración Adorno This paper proposes a critical analysis of the film-essay Aufstellung (2005) by the Czech-German director Harun Farocki, through three intertwined points: (1) On a filmic level, it is proposed to think about the reduction of the cultural diversity of Turkish immigrants in post-war Germany in the construction of a muppet; (2) on a socio-historical level, it is attempted to trace the connection between the history of German migration that the film presents with the historical context of the guest workers or Gastarbeiters; (3) on an aesthetic-political level, the reflections of the German philosopher Theodor W. Adorno are taken up. Adorno on the subject of foreign words, in order to interpret Aufstellung under the concept of foreignness. Then, finally, a series of divergent reflections are proposed, that allow us to think Aufstellung's critique of nationalism anachronistically and beyond German borders. Este trabajo se propone realizar un análisis crítico del ensayo fílmico Aufstellung (2005) del director checo-alemán Harun Farocki, a través de tres puntos entrelazados: (1) En un nivel fílmico se propone pensar la reducción de la diversidad cultural de les inmigrantes turcos en la Alemania de posguerra en la construcción de un monigote; (2) en un nivel sociohistórico se intenta trazar la conexión entre la historia de la migración alemana que plantea el film con el contexto histórico de les trabajadores invitades o Gastarbeiters; (3) en un nivel estético-político se retoman las reflexiones del filósofo alemán Theodor W. Adorno a propósito de las palabras extranjeras, para interpretar Aufstellung bajo el concepto de extranjerismo. Luego, por último, se proponen una serie de reflexiones divergentes que permiten pensar la crítica de Aufstellung al nacionalismo de manera anacrónica y más allá de las fronteras alemanas. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/35658 10.55442/tomauno.n9.2021.35658 ark:/s22504524/hyyin8nwz Toma Uno; No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts TOMA UNO; Núm. 9 (2021): La política, lo político, las políticas, en el Cine y las Artes audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n9.2021 ark:/s22504524/qoi0z31ty spa https://revistas.unc.edu.ar/index.php/toma1/article/view/35658/35991 https://revistas.unc.edu.ar/index.php/toma1/article/view/35658/35935 https://revistas.unc.edu.ar/index.php/toma1/article/view/35658/35936 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Farocki
film
essay
migration
Adorno
Farocki
film
ensayo
inmigración
Adorno
spellingShingle Farocki
film
essay
migration
Adorno
Farocki
film
ensayo
inmigración
Adorno
Molina, Manuel
Filmic migrations. Critical analysis of Aufstellung by Harun Farocki
topic_facet Farocki
film
essay
migration
Adorno
Farocki
film
ensayo
inmigración
Adorno
author Molina, Manuel
author_facet Molina, Manuel
author_sort Molina, Manuel
title Filmic migrations. Critical analysis of Aufstellung by Harun Farocki
title_short Filmic migrations. Critical analysis of Aufstellung by Harun Farocki
title_full Filmic migrations. Critical analysis of Aufstellung by Harun Farocki
title_fullStr Filmic migrations. Critical analysis of Aufstellung by Harun Farocki
title_full_unstemmed Filmic migrations. Critical analysis of Aufstellung by Harun Farocki
title_sort filmic migrations. critical analysis of aufstellung by harun farocki
description This paper proposes a critical analysis of the film-essay Aufstellung (2005) by the Czech-German director Harun Farocki, through three intertwined points: (1) On a filmic level, it is proposed to think about the reduction of the cultural diversity of Turkish immigrants in post-war Germany in the construction of a muppet; (2) on a socio-historical level, it is attempted to trace the connection between the history of German migration that the film presents with the historical context of the guest workers or Gastarbeiters; (3) on an aesthetic-political level, the reflections of the German philosopher Theodor W. Adorno are taken up. Adorno on the subject of foreign words, in order to interpret Aufstellung under the concept of foreignness. Then, finally, a series of divergent reflections are proposed, that allow us to think Aufstellung's critique of nationalism anachronistically and beyond German borders.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/toma1/article/view/35658
work_keys_str_mv AT molinamanuel filmicmigrationscriticalanalysisofaufstellungbyharunfarocki
AT molinamanuel migracionesfilmicasanalisiscriticodeaufstellungdeharunfarocki
first_indexed 2024-09-03T22:57:11Z
last_indexed 2024-09-03T22:57:11Z
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