Editorial #9. Politics, the political, policies, in Cinema and Audiovisual Arts
Three dimensions are usually recognized in cinema, each of which refers to a different legacies: a documentary dimension, heir to photography, which appears with the views of the Lumiére brothers; a spectacular dimension, heir to the performing arts that is attributed to Meliès; and a narrative dime...
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/35656 |
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I10-R367-article-356562022-11-15T13:46:28Z Editorial #9. Politics, the political, policies, in Cinema and Audiovisual Arts Editorial #9. La política, lo político, las políticas, en el cine y las artes audiovisuales Triquell, Ximena editorial note politics political policies audiovisual nota editorial política político políticas audiovisual Three dimensions are usually recognized in cinema, each of which refers to a different legacies: a documentary dimension, heir to photography, which appears with the views of the Lumiére brothers; a spectacular dimension, heir to the performing arts that is attributed to Meliès; and a narrative dimension, found in Griffith's films, and which is heir to literature. However, a fact that is often left aside is that, alongside this last one, cinema acquires – or rather discovers – its political dimension, that is, its character of discourse that, in addition to showing, entertaining or narrating, disputes meanings. This issue of Toma Uno invited theoreticians , researchers and filmmakers to write about this dimension in its multiple forms: in the development of certain contents, in the technical and aesthetic options of its authors, in the strategies of production and distribution, among other places. From different approaches, the texts here assembled lead us once again to ask ourselves about cinema, this time in its relation to reality and its potential to transform it. Suele reconocerse en el cine tres dimensiones provenientes de tres herencias diferentes: una dimensión documental, heredera de la fotografía, que aparece con las vistas de los hermanos Lumiére; una dimensión espectacular, heredera de las artes escénicas que se atribuye a Meliès; y una dimensión narrativa, que se encuentra en las películas de Griffith, y que es heredera de la literatura.No obstante, un dato que es a menudo dejado de lado es que, junto con esta última, el cine adquiere —o más bien descubre— su dimensión política, esto es, su carácter de discurso que, además de mostrar, entretener o narrar, disputa sentidos.Este número de Toma Uno invitó a teóricxs, investigadorxs y realizadorxs a escribir sobre esta dimensión en sus múltiples formas: en el desarrollo de ciertos contenidos, en las opciones técnicas y estéticas de sus autores y autoras, en las estrategias de producción y distribución, entre otros muchos lugares. Desde diversos enfoques, los textos aquí reunidos nos llevan una vez más a preguntarnos por el cine, esta vez en su forma de referir a la realidad y en su potencial para transformarla. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Editorial Editorial application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/35656 10.55442/tomauno.n9.2021.35656 ark:/s22504524/iby9ac0p7 Toma Uno; No. 9 (2021): Politics, the political, policies, in Cinema and Audiovisual Arts TOMA UNO; Núm. 9 (2021): La política, lo político, las políticas, en el Cine y las Artes audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n9.2021 ark:/s22504524/qoi0z31ty spa https://revistas.unc.edu.ar/index.php/toma1/article/view/35656/35990 https://revistas.unc.edu.ar/index.php/toma1/article/view/35656/35932 https://revistas.unc.edu.ar/index.php/toma1/article/view/35656/35933 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
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editorial note politics political policies audiovisual nota editorial política político políticas audiovisual |
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editorial note politics political policies audiovisual nota editorial política político políticas audiovisual Triquell, Ximena Editorial #9. Politics, the political, policies, in Cinema and Audiovisual Arts |
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editorial note politics political policies audiovisual nota editorial política político políticas audiovisual |
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Triquell, Ximena |
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Triquell, Ximena |
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Triquell, Ximena |
| title |
Editorial #9. Politics, the political, policies, in Cinema and Audiovisual Arts |
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Editorial #9. Politics, the political, policies, in Cinema and Audiovisual Arts |
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Editorial #9. Politics, the political, policies, in Cinema and Audiovisual Arts |
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editorial #9. politics, the political, policies, in cinema and audiovisual arts |
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Three dimensions are usually recognized in cinema, each of which refers to a different legacies: a documentary dimension, heir to photography, which appears with the views of the Lumiére brothers; a spectacular dimension, heir to the performing arts that is attributed to Meliès; and a narrative dimension, found in Griffith's films, and which is heir to literature. However, a fact that is often left aside is that, alongside this last one, cinema acquires – or rather discovers – its political dimension, that is, its character of discourse that, in addition to showing, entertaining or narrating, disputes meanings. This issue of Toma Uno invited theoreticians , researchers and filmmakers to write about this dimension in its multiple forms: in the development of certain contents, in the technical and aesthetic options of its authors, in the strategies of production and distribution, among other places. From different approaches, the texts here assembled lead us once again to ask ourselves about cinema, this time in its relation to reality and its potential to transform it. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
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2021 |
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https://revistas.unc.edu.ar/index.php/toma1/article/view/35656 |
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