Short films going long distances: Express Cinema; the reproduction of a model
This article explores the symbolic process throughout which the project “Cinema made with neighbours’ express workshops” (2009 - 2017) introduced the possibility of short film productions made from the perspective and imaginarium of peripheral subjects. Said views, invigorated by intercultural dynam...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/26207 |
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I10-R367-article-262072020-11-01T03:51:26Z Short films going long distances: Express Cinema; the reproduction of a model Cortometrajes de largas distancias: Cine express, la multiplicación de un modelo Grosman, Carla cinema made with neighbours’ express workshops cinema and education coloniality of being coloniality of knowing interculturalism Taller express de cine con vecinos cine y educación colonialidad del ser colonialidad del saber interculturalidad This article explores the symbolic process throughout which the project “Cinema made with neighbours’ express workshops” (2009 - 2017) introduced the possibility of short film productions made from the perspective and imaginarium of peripheral subjects. Said views, invigorated by intercultural dynamics, and incorporated into mass media networks, interacted (socio-symbolically and intersubjectively) in a collective negotiation of ethical values that managed to defy the irrefutability of dominant paradigms by proposing the possibility of an intercultural social order. Analysing such dynamic I finally propose that said workshop series stimulated a learning process that spontaneously generated the redefinition of the individual within a heterogeneous narrative of the collective and, that such new onto-epistemic framework is intrinsically a performative intervention on the coloniality of power’s narrative. Este artículo explora el proceso simbólico a través del cual el proyecto “Talleres express de cine con vecinos” (2009-2017) introdujo la posibilidad de producir cortometrajes de ficción desde miradas periféricas que, vigorizadas en relaciones interculturales e introducidas en la dinámica hegemónica de comunicación de masas, interactuaron socio-simbólica e intersubjetivamente en la negociación social de valores éticos, hasta desafiar el paradigma dominante en su estatus de único sistema de vida social viable, instalando en el imaginario colectivo la posibilidad de una organización social intercultural. Analizando esta dinámica, finalmente, propongo que esta serie de talleres estimula un aprendizaje que espontáneamente genera la redefinición del individuo como parte del relato heterogéneo de lo colectivo y que este nuevo marco onto-epistemológico es per se una intervención performativa sobre el relato de la colonialidad del poder. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2019-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/toma1/article/view/26207 10.55442/tomauno.n7.2019.26207 Toma Uno; No. 7 (2019): Audiovisual production and seriality; 211-221 TOMA UNO; Núm. 7 (2019): Producción audiovisual y serialidad; 211-221 2250-4524 2313-9692 10.55442/tomauno.n7.2019 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/26207/29502 https://revistas.unc.edu.ar/index.php/toma1/article/view/26207/28021 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-367 |
| container_title_str |
TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
cinema made with neighbours’ express workshops cinema and education coloniality of being coloniality of knowing interculturalism Taller express de cine con vecinos cine y educación colonialidad del ser colonialidad del saber interculturalidad |
| spellingShingle |
cinema made with neighbours’ express workshops cinema and education coloniality of being coloniality of knowing interculturalism Taller express de cine con vecinos cine y educación colonialidad del ser colonialidad del saber interculturalidad Grosman, Carla Short films going long distances: Express Cinema; the reproduction of a model |
| topic_facet |
cinema made with neighbours’ express workshops cinema and education coloniality of being coloniality of knowing interculturalism Taller express de cine con vecinos cine y educación colonialidad del ser colonialidad del saber interculturalidad |
| author |
Grosman, Carla |
| author_facet |
Grosman, Carla |
| author_sort |
Grosman, Carla |
| title |
Short films going long distances: Express Cinema; the reproduction of a model |
| title_short |
Short films going long distances: Express Cinema; the reproduction of a model |
| title_full |
Short films going long distances: Express Cinema; the reproduction of a model |
| title_fullStr |
Short films going long distances: Express Cinema; the reproduction of a model |
| title_full_unstemmed |
Short films going long distances: Express Cinema; the reproduction of a model |
| title_sort |
short films going long distances: express cinema; the reproduction of a model |
| description |
This article explores the symbolic process throughout which the project “Cinema made with neighbours’ express workshops” (2009 - 2017) introduced the possibility of short film productions made from the perspective and imaginarium of peripheral subjects. Said views, invigorated by intercultural dynamics, and incorporated into mass media networks, interacted (socio-symbolically and intersubjectively) in a collective negotiation of ethical values that managed to defy the irrefutability of dominant paradigms by proposing the possibility of an intercultural social order. Analysing such dynamic I finally propose that said workshop series stimulated a learning process that spontaneously generated the redefinition of the individual within a heterogeneous narrative of the collective and, that such new onto-epistemic framework is intrinsically a performative intervention on the coloniality of power’s narrative. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/26207 |
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AT grosmancarla shortfilmsgoinglongdistancesexpresscinemathereproductionofamodel AT grosmancarla cortometrajesdelargasdistanciascineexpresslamultiplicaciondeunmodelo |
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2024-09-03T22:57:03Z |
| last_indexed |
2024-09-03T22:57:03Z |
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