Disruptions in the television regime: Promotion policies and Argentinian fictional series
In Argentina, post-1990 serial fiction production can be conceived as a time of thematic and formal search and exploration in a homogenously commercial television with an interest in innovation at the level of formats for export. But the enactment of the Audiovisual Communication Services Law and th...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2019
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/26200 |
| Aporte de: |
| Sumario: | In Argentina, post-1990 serial fiction production can be conceived as a time of thematic and formal search and exploration in a homogenously commercial television with an interest in innovation at the level of formats for export. But the enactment of the Audiovisual Communication Services Law and the implementation of its promotion policies provoked a new impulse that went through and (re) invented telefiction with other variants and approaches.
In this evolution of images and narratives, the aesthetic experience was pluralized in its sensitive and cognitive dimensions, so it is important to reflect on a set of operations that meant an exploration with language in three fictions broadcast on public TV. Especially different formal and narrative operations are observed: a) of estrangement in the system of genres (Muñecos del destino), b) metaficcional (Germán, últimas viñetas) and c) of evocation of the past (Los siete locos y los lanzallamas). |
|---|