Disruptions in the television regime: Promotion policies and Argentinian fictional series

In Argentina, post-1990 serial fiction production can be conceived as a time of thematic and formal search and exploration in a homogenously commercial television with an interest in innovation at the level of formats for export. But the enactment of the Audiovisual Communication Services Law and th...

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Autor principal: Siragusa, Cristina Andrea
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2019
Materias:
fiction
TV
seriality
esthetic
formal operations
ficción
televisión
serialidad
estética
operaciones formales
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/26200
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-26200
record_format ojs
spelling I10-R367-article-262002020-11-01T03:51:26Z Disruptions in the television regime: Promotion policies and Argentinian fictional series Disrupciones en el régimen televisual: políticas de fomento y ficciones seriadas argentinas Siragusa, Cristina Andrea fiction TV seriality esthetic formal operations ficción televisión serialidad estética operaciones formales In Argentina, post-1990 serial fiction production can be conceived as a time of thematic and formal search and exploration in a homogenously commercial television with an interest in innovation at the level of formats for export. But the enactment of the Audiovisual Communication Services Law and the implementation of its promotion policies provoked a new impulse that went through and (re) invented telefiction with other variants and approaches. In this evolution of images and narratives, the aesthetic experience was pluralized in its sensitive and cognitive dimensions, so it is important to reflect on a set of operations that meant an exploration with language in three fictions broadcast on public TV. Especially different formal and narrative operations are observed: a) of estrangement in the system of genres (Muñecos del destino), b) metaficcional (Germán, últimas viñetas) and c) of evocation of the past (Los siete locos y los lanzallamas). En Argentina, la producción ficcional seriada post ’90 puede concebirse como un tiempo de búsqueda y exploración temática y formal en una televisión homogéneamente comercial con interés de innovación a nivel de formatos para su exportación. Pero la sanción de la Ley de Servicios de Comunicación Audiovisual y la implementación de sus políticas de fomento provocó un nuevo impulso que recorrió y (re)inventó la teleficcionalidad con otras variantes y enfoques. En ese devenir de imágenes y narraciones la experiencia estética se pluralizó en sus dimensiones sensibles y cognitivas por lo que importa reflexionar acerca de un conjunto de operaciones que significaron una exploración del lenguaje en tres ficciones emitidas en la TV pública. Especialmente se observan diversas operaciones formales y narrativas: a) de extrañamiento en el sistema de géneros (Muñecos del destino), b) metaficcional (Germán últimas viñetas) y c) de evocación del pasado (Los siete locos y los lanzallamas). Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2019-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/toma1/article/view/26200 10.55442/tomauno.n7.2019.26200 Toma Uno; No. 7 (2019): Audiovisual production and seriality; 139-155 TOMA UNO; Núm. 7 (2019): Producción audiovisual y serialidad; 139-155 2250-4524 2313-9692 10.55442/tomauno.n7.2019 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/26200/29497 https://revistas.unc.edu.ar/index.php/toma1/article/view/26200/28016
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic fiction
TV
seriality
esthetic
formal operations
ficción
televisión
serialidad
estética
operaciones formales
spellingShingle fiction
TV
seriality
esthetic
formal operations
ficción
televisión
serialidad
estética
operaciones formales
Siragusa, Cristina Andrea
Disruptions in the television regime: Promotion policies and Argentinian fictional series
topic_facet fiction
TV
seriality
esthetic
formal operations
ficción
televisión
serialidad
estética
operaciones formales
author Siragusa, Cristina Andrea
author_facet Siragusa, Cristina Andrea
author_sort Siragusa, Cristina Andrea
title Disruptions in the television regime: Promotion policies and Argentinian fictional series
title_short Disruptions in the television regime: Promotion policies and Argentinian fictional series
title_full Disruptions in the television regime: Promotion policies and Argentinian fictional series
title_fullStr Disruptions in the television regime: Promotion policies and Argentinian fictional series
title_full_unstemmed Disruptions in the television regime: Promotion policies and Argentinian fictional series
title_sort disruptions in the television regime: promotion policies and argentinian fictional series
description In Argentina, post-1990 serial fiction production can be conceived as a time of thematic and formal search and exploration in a homogenously commercial television with an interest in innovation at the level of formats for export. But the enactment of the Audiovisual Communication Services Law and the implementation of its promotion policies provoked a new impulse that went through and (re) invented telefiction with other variants and approaches. In this evolution of images and narratives, the aesthetic experience was pluralized in its sensitive and cognitive dimensions, so it is important to reflect on a set of operations that meant an exploration with language in three fictions broadcast on public TV. Especially different formal and narrative operations are observed: a) of estrangement in the system of genres (Muñecos del destino), b) metaficcional (Germán, últimas viñetas) and c) of evocation of the past (Los siete locos y los lanzallamas).
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2019
url https://revistas.unc.edu.ar/index.php/toma1/article/view/26200
work_keys_str_mv AT siragusacristinaandrea disruptionsinthetelevisionregimepromotionpoliciesandargentinianfictionalseries
AT siragusacristinaandrea disrupcionesenelregimentelevisualpoliticasdefomentoyficcionesseriadasargentinas
first_indexed 2024-09-03T22:57:02Z
last_indexed 2024-09-03T22:57:02Z
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