The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices
This article gathers certain reflections on new ways of spectatoriality produced under the context of series’ watching on computers and other screen techonologies, that differ from television. These are understood as complex practices that affect and are affected by supports and production. Taking B...
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/26198 |
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I10-R367-article-261982020-11-01T03:51:26Z The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices La soledad del espectador serial: notas sobre algunas características de las prácticas espectatoriales actuales Ginés, Joaquín Bandersnatch series screens spectatorial practices loneliness Bandersnatch series pantallas prácticas espectatoriales soledad This article gathers certain reflections on new ways of spectatoriality produced under the context of series’ watching on computers and other screen techonologies, that differ from television. These are understood as complex practices that affect and are affected by supports and production. Taking Bandersnatch, an episode from the series Black Mirror where the spectator is expected to take decisions to build their own story, as a departure point, we analyze firstly the blurry relation between the diegetic and extradiegetic universe. Secondly, we endeavor to explain how the spectator relates to universo by using gestures, physical contact with the screen and they show certain videogame player’s characteristics. Finally, it is noted that these kind of audiovisual products need a lonely spectator and this is a characteristic of new spectatorial practices, that problematize the presence of an other in the interaction between the spectator and the communicational product. El presente artículo reúne algunas reflexiones sobre nuevas formas de espectatorialidad que se producen en el contexto del visionado de series en computadores y demás tecnologías de las pantallas, diferentes a la televisión, comprendiéndolas como prácticas complejas que afectan y se ven afectadas por los soportes y la producción. A partir de Bandersnatch, un episodio de la serie Black Mirror en que el espectador es invitado a tomar decisiones y construir su propia historia, se analiza en primer lugar el vínculo difuso entre el universo diegético y extradiegético. En segundo lugar, se explica cómo el espectador se vincula con ese universo a partir de la utilización de gestos, y contacto físico con la pantalla y adquiere un carácter de jugador de videojuego. Por último, se anota que este tipo de productos audiovisuales necesitan de un espectador se encuentre en soledad y se propone que esto constituye una característica de las nuevas prácticas espectatoriales, que problematizan la presencia de otro en la interacción con el producto comunicacional. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2019-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/toma1/article/view/26198 10.55442/tomauno.n7.2019.26198 Toma Uno; No. 7 (2019): Audiovisual production and seriality; 109-118 TOMA UNO; Núm. 7 (2019): Producción audiovisual y serialidad; 109-118 2250-4524 2313-9692 10.55442/tomauno.n7.2019 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/26198/29495 https://revistas.unc.edu.ar/index.php/toma1/article/view/26198/28013 |
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Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-367 |
| container_title_str |
TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
Bandersnatch series screens spectatorial practices loneliness Bandersnatch series pantallas prácticas espectatoriales soledad |
| spellingShingle |
Bandersnatch series screens spectatorial practices loneliness Bandersnatch series pantallas prácticas espectatoriales soledad Ginés, Joaquín The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices |
| topic_facet |
Bandersnatch series screens spectatorial practices loneliness Bandersnatch series pantallas prácticas espectatoriales soledad |
| author |
Ginés, Joaquín |
| author_facet |
Ginés, Joaquín |
| author_sort |
Ginés, Joaquín |
| title |
The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices |
| title_short |
The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices |
| title_full |
The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices |
| title_fullStr |
The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices |
| title_full_unstemmed |
The loneliness of the serial viewer: Notes on some characteristics of current spectatorial practices |
| title_sort |
loneliness of the serial viewer: notes on some characteristics of current spectatorial practices |
| description |
This article gathers certain reflections on new ways of spectatoriality produced under the context of series’ watching on computers and other screen techonologies, that differ from television. These are understood as complex practices that affect and are affected by supports and production. Taking Bandersnatch, an episode from the series Black Mirror where the spectator is expected to take decisions to build their own story, as a departure point, we analyze firstly the blurry relation between the diegetic and extradiegetic universe. Secondly, we endeavor to explain how the spectator relates to universo by using gestures, physical contact with the screen and they show certain videogame player’s characteristics. Finally, it is noted that these kind of audiovisual products need a lonely spectator and this is a characteristic of new spectatorial practices, that problematize the presence of an other in the interaction between the spectator and the communicational product. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/26198 |
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